Artist's Page

Carroll Dunham

Born in New Haven, CT, 1949

Trinity College, Hartford, CT, 1972

Lives and works in New York, NY

One-Person Exhibitions

Drawing, Gladstone Gallery, New York, NY
Where am I? Prints 1985–2022, The National Museum, Oslo, Norway
Selected Drawings, Galerie Max Hetzler, Berlin, Germany

Somatic Transmission & Qualiascope (Recent Paintings), Galerie Max Hetzler, Paris, France

Gladstone Gallery, New York, NY
Gladstone Gallery, Brussels, Belgium
Drawings, 1990–2009, James Barron Art, Kent, CT
Paintings, Gerhardsen Gerner, Oslo, Norway

Recent Paintings, Galerie Eva Presenhuber, Zurich, Switzerland

Gladstone Gallery, New York, NY

Blum & Poe, Los Angeles, CA 
Prints, Gerhardsen Gerner, Oslo, Norway

Inigo Philbrick, London, UK
Drawings 1982-96, Gladstone 64, New York, NY
Monotypes, Galerie Eva Presenhuber, Zurich, Switzerland

Gladstone Gallery, New York, NY

Galerie Eva Presenhuber, Zurich, Switzerland
Watercolors, Gerhardsen Gerner, Olso, Norway
Drawings, Denver Art Museum, Denver, CO
Fourteen Lithographs, Hiram Butler Gallery, Houston, TX

Gladstone Gallery, New York, NY
Bernier/Eliades Gallery, Athens, Greece
A Drawing Survey, Blum & Poe, Los Angeles, CA

Gerhardsen Gerner, Berlin, Germany
Gladstone Gallery, Brussels, Belgium
Works on Paper, Patrick de Brock Gallery, Knokke, Belgium

Blum & Poe, Los Angeles, CA
Paintings, Baldwin Gallery, Aspen, CO
Carroll Dunham Prints: A Survey, University Art Museum, Albany, New York, NY

Gladstone Gallery, New York, NY
Small Packages, Art Production Fund Lab, New York, NY
Works on Paper, Museum Ludwig, Cologne, Germany 

Hydra Workshop, Hydra, Greece
Painting and Sculpture 2004-2008, Millesgården, Stockholm, Sweden 
Paintings on Wood 1982-1987, Skarstedt Gallery, New York, NY
Recent Paintings, Atle Gerhardsen, Berlin, Germany
Carroll Dunham Prints: A Survey, Allen Memorial Art Museum, Oberlin College, Akron, OH; traveled to Addison Gallery of American Art, Phillips Academy, Andover, MA

Gladstone Gallery, New York, NY 
Monotypes, Atle Gerhardsen, Berlin, Germany

In Red Space, White Cube, London, UK 
Monotypien, Galerie Fred Jahn, Munich, Germany
Small Drawings 1991-2005, Drammens Museum, Drammen, Norway
Galleri MGM, Oslo, Norway

Drawing, Judin Galerie, Zurich, Switzerland
Dead Space, Atle Gerhardsen, Berlin, Germany

Composite Images: Paintings, Daniel Weinberg Gallery, Los Angeles, CA
Nolan/Eckman Gallery, New York, NY
Prints, Atle Gerhardsen, Berlin, Germany
He, She, and It, Gladstone Gallery, New York, NY 

White Cube, London, UK
Personal Distance: New Paintings, Baldwin Gallery, Aspen, CO

New Museum of Contemporary Art, New York, NY
Drawings 1985-2002, Nolan/Eckman Gallery, New York, NY
Mesokingdom, Metro Pictures, New York, NY
Drawings, Galerie Fred Jahn, Munich, Germany

The Search for Orgone, Nolan/Eckman Gallery, New York, NY; traveled to Atle Gerhardsen Berlin, Germany
New Paintings, Gagosian Gallery, Beverly Hills, CA
Recent Prints and Related Works, Galerie Fred Jahn, Munich, Germany

Atle Gerhardsen, Oslo, Norway
N.E.G., Milan, Italy

Metro Pictures, New York, NY
Galerie Ghislaine Hussenot, Paris, France
Weatherspoon Art Gallery, Greensboro, NC
No Limits Events Gallery, Milan, Italy

Land and Houses: Two Sequences of Drawings, Nolan/Eckman Gallery, New York, NY (cat.)
Integrated Paintings, White Cube, London, UK
London Projects, London, UK
Pink Planets, Atle Gerhardsen Gallery, Oslo, Norway

Metro Pictures, New York, NY

Paintings and Drawings 1990-1996, Guild Hall, Easthampton, NY; traveled to Santa Barbara Contemporary Arts Forum, Santa Barbara, CA; Forum for Contemporary Art, St. Louis, MO (cat.)
Nolan/Eckman Gallery, New York, NY
Galerie Fred Jahn, Munich, Germany

Bobbie Greenfield Gallery, Santa Monica, CA
Selected Paintings 1990-95, School of the Museum of Fine Arts, Boston, MA

Works on Paper, Lemberg Gallery, Birmingham, MI
Sonnabend Gallery, New York, NY

Sonnabend Gallery, New York, NY
Galerie Lehmann, Geneva, Switzerland
Nolan/Eckman Gallery, New York, NY

David Nolan Gallery, New York, NY
Jablonka Galerie, Cologne, Germany
Selected Paintings and Prints, Widener Gallery, Trinity College, Hartford, CT

Drawings, Gallery Mukai, Tokyo, Japan
Galerie Jahn, Munich, Germany
Daniel Weinberg Gallery, Santa Monica, CA 

Sonnabend Gallery, New York, NY

Jablonka Galerie, Cologne, Germany
Sonnabend Gallery, New York, NY

Selected Drawing, Tyler School of Art, Temple University, Elkins Park, PA
Drawings 1982-1983, Galerie Fred Jahn, Munich, Germany
Daniel Weinberg Gallery, Los Angeles, CA
Jay Gorney Modern Art, New York, NY

Barbara Krakow Gallery, Boston, MA
Baskerville & Watson Gallery, New York, NY

Daniel Weinberg Gallery, Los Angeles, CA
Baskerville & Watson Gallery, New York, NY

Artists Space, New York, NY

Selected Group Exhibitions

Retinal Hysteria, Curated by Robert Storr, Venus Over Manhattan, New York, NY
Sequence 9: one work, one week…, Miguel Abreu Gallery, New York, NY
Long Story Short, Museum of Contemporary Art, Los Angeles, CA

Other Images of Man, Hall Art Foundation, Kunstmuseum Schloss Derneburg, Holle, Germany
Open Storage: 25 Years of Collecting
, curated by Allan Schwartzman, the Warehouse, Dallas, TX
Sea Show, Winter Street Gallery, Edgartown, MA
Unrepeated: Unique Prints from Two Palms, David Zwirner Gallery, New York, NY

Parallel Phenomena, Andrew Edlin Gallery, New York, NY
Carroll Dunham | Albert Oehlen, Galerie Max Hetzler, London, UK
And I Will Wear You in My Heart of Heart, The FLAG Art Foundation, New York, NY

New Images of Man, curated by Alison M. Gingeras, Blum & Poe, Los Angeles, CA
Galerie Eva Presenhuber, Zurich, Switzerland
Duro Olowu: Seeing Chicago, Museum of Contemporary Art Chicago, Chicago, IL

Samaritans, curated by Dan Nadel, Galerie Eva Presenhuber, New York, NY
Some Trees, organized by Christian Malycha, Nino Mier Gallery, Los Angeles, CA
Albert Oehlen / Carroll Dunham: Bäume/Trees, curated by Gregor Jansen and Cornelius Tittel, Kunsthalle Düsseldorf, Düsseldorf, Germany; traveled to Sprengel Museum Hannover, Hannover, Germany
Carroll Dunham | Michael Williams: Drawings, curated by Cornelius Tittel, Galerie Max Hetzler, Berlin, Germany
Driving Forces: Contemporary Art from the Collection of Ann and Ron Pizzuti, Columbus Museum of Art, Columbus, OH

Original Behavior, Sheldon Museum of Art, Lincoln, NE
Gun Country, Addison Gallery of American Art, Andover, MA
Syphilis, curated by Adam Cohen and Anton Kern, Rental Gallery, East Hampton, NY
FOUR ROOMS, Blum & Poe, New York, NY
Out of Control, Venus Over Manhattan, New York, NY

Drawing Island, The Journal Gallery, Brooklyn, NY
Vanishing Points, curated by Andrianna Campbell, James Cohan, New York, NY
Discomposure, Richard Telles Fine Art, Los Angeles, CA
Fast Forward: Painting from The 1980s, Whitney Museum of American Art, New York, NY
Artists as Innovators: Celebrating Three Decades of NYSCA/NYFA Fellowships, Dorsky Museum, SUNY New Paltz, NY; traveled to Dowd Gallery, SUNY Cortland, Cortland, NY; Alfred University, Alfred, NY; Marion Art Gallery, SUNY Fredonia, Fredonia, NY

Two Palms, Contemporary Fine Arts, Berlin, Germany
Before Sunrise, Karma, Amagansett, New York, NY
Olympia, Galerie Patrick Seguin, Paris, France 
Nice Weather, curated by David Salle, Skarstedt, New York, NY
In the Making: Artists, Assistants, and Influence, Luxembourg & Dayan, New York, NY
A Shape That Stands Up, Hammer Museum at Art + Practice, Los Angeles, CA

Works on Paper, Galerie Eva Presenhuber, Zurich, Switzerland
America is Hard to See, Whitney Museum of American Art, New York, NY
The Guston Effect, Steven Zevitas Gallery, Boston, MA
Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich, Germany
Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum of Brandeis University, Waltham, MA
Light/Dark, White/Black, Addison Gallery of American Art, Andover, MA
True Monotypes, International Print Center, New York, NY
Des histories sans fin, Musée d’art moderne et contemporain, Geneva, Switzerland
Coleccion Jumex, In Girum Imus Nocte et Consumimur Igni, Museo Jumex, Mexico City, Mexico

Disturbing Innocence, FLAG Art Foundation, New York, NY
Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections, The Warehouse, Dallas, TX
Comic Future, Ballroom Marfa, Marfa, TX; traveled to Wexner Center for the Arts, Columbus, Ohio Post Picasso: Contemporary Reactions, Museu Picasso de Barcelona, Barcelona, Spain Ileana Sonnabend: Ambassador for the New, Museum of Modern Art, New York, NY 
The Age of Small Things, curated by Chuck Webster, Dodge Gallery, New York, NY

Summer Drawings, The Journal Gallery, New York, NY
Hello Goodbye Thank You, Again, And Again, And Again, curated by Anthony Huberman, Castillo/Corrales, Paris, France
Reinventing Abstraction: New York Painting in the 1980s, curated by Raphael Rubinstein, Cheim & Read, New York, NY
Nothing Turned Itself Inside Out, White Flag Projects, St. Louis, MO
Der Zweite Blick, Städtische Galerie, Nordhorn, Germany
FULL HOUSE, Schönewald Fine Arts, Düsseldorf, Germany
Twenty Days Later, Nicole Klagsbrun, New York, NY

Group Shoe, Gavin Brown’s Enterprise, New York, NY
Print/Out, Museum of Modern Art, New York, NY
Painting Now, Galerie Eva Presenhuber, Zurich, Switzerland 
This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art, Chicago, IL

FACEMAKER, Royal/T, Culver City, CA 
Seeing Is a Kind of Thinking: A Jim Nutt Companion, Museum of Contemporary Art Chicago, IL

The Visible Vagina, David Nolan, New York, NY
Nature, Gerhardsen Gerner, Berlin, Germany
Pastorale, 80WSE, New York University, NY
Your History Is Not Our History, Haunch of Venison, New York, NY
Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, CA 

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, Museum of Modern Art, New York, NY (exh. cat.)
Image Matter, curated by Klaus Kertess, Mary Boone Gallery, New York, NY
15th Anniversary Inaugural Exhibition, Blum & Poe, Los Angeles, CA
Small Packages, The Art Production Fund Lab, New York, NY
Jr. and Son’s, curated by Joe Bradley, Zach Feuer Gallery, New York, NY
Collection: MOCA’s First Thirty Years, Museum of Contemporary Art, Los Angeles, CA

Listen Darling… The World Is Yours, Ellipse Foundation, Alcoitão, Portugal
Faces and Figures (Revisited), Marc Jancou Contemporary, New York, NY
Second Thoughts, Hessel Museum of Art, Bard College, Annandale-on-Hudson, NY
Nordea’s Art Collection, Henie Onstad Art Centre, Høvikodden, Norway
From Nature, Carolina Nitsch Project Room, New York, NY
Paper Trail II: Passing Through Clouds, The Rose Art Museum, Brandeis University, Waltham,
Spring Selections Show, Ober Gallery, Kent, CT
Photographic works to Benefit the Foundation for Contemporary Arts, Cohan and Leslie, New York, NY

ULAE: New Editions, Larissa Goldston Gallery, New York, NY
What Is Painting? Contemporary Art from the Collection, Museum of Modern Art, New York, NY
Counterparts: Contemporary Painters and Their Influences, Virginia Museum of Contemporary Art, Virginia Beach, VA

XXL: Size Matters, Hudson Valley Center for Contemporary Art, Peekskill, New York, NY
Couples Discourse, Palmer Museum of Art, University Park, PA
Group Exhibition, Nolan/Eckman Gallery, New York, NY
Size Matters: Recent Lage-Scale Paintings, Hudson Valley Center for Contemporary Art,
Peekskill, NY
Vanessa Baird –Me, myself and the other one, c/o – Atle Gerhardsen Gallery, Berlin, Germany

Arbeiten auf Papier, Galerie Fred Jahn, Munich, Germany
Remote Viewing (Invented World in Recent Painting and Drawing), Whitney Museum of American Art, New York, NY

Fabulism, Joslyn Art Museum, Omaha, NE (exh. cat.)
Sets, Barbara Krakow Gallery, Boston, Massachusetts
Tear Down This Wall: Paintings from the 1980s, Museum of Contemporary Art, Los Angeles, CA
Works on Paper, Sprüth Magers Projekte, Munich, Germany
Disparities and Deformations: Our Grotesque, 5th International Biennial Exhibition, SITE Santa
Fe Biennial, New Mexico (exh. cat.)
Art, Artists, and the Addison, Addison Gallery of American Art, Andover, MA

Drawings, Metro Pictures, New York, NY
Funny Papers, Daniel Weinberg Gallery, Los Angeles. CA
We Love Painting, Museum of Contemporary Art, Tokyo, Japan
The Human Figure, Nolan/Eckman Gallery, New York, NY
160 Meisterzeichnungen, Oldenburger Kunstverein, Oldenburg, Germany

Metro Pictures, New York, NY
Bildmis und Figur, Galerie Fred Jahn, Munich, Germany
Urgent Painting, Musée d’art Moderne de la Ville de Paris, France
Under Pressure, University Museum of Contemporary Art, Fine Arts Center, Amherst, MA

Some Options in Abstractions, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA
Pop & Post-Pop (On Paper), Texas Gallery, Houston, TX
Locating Drawing, Lawing Gallery, Houston, TX
American Art, Galerie Rudolfinum, Centre for Contemporary Art, Prague, Czech Republic

End Papers, Neuberger Museum of Art, Purchase, NY
Superorganic, Hydroponic Warfare: Carroll Dunham, David Dupuis, Alexander Ross, Derek Eller Gallery, New York, NY
Art in America 2000, US Department of Art in Embassies Program, Washington, D.C.
Land & Houses: Two Sequences of Drawings, Nolan/Eckman Gallery, New York, NY
The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art, New York, NY
00, Barbara Gladstone Gallery, New York, NY
The Figure in the Landscape, Lehmann Maupin Gallery, New York, NY
Open Ends, Museum of Modern Art, New York, NY
Olav Chr. Jensen, Sarah Morris, Carroll Dunham, Atle Gerhardsen Gallery, Berlin, Germany

Drawn By…Metro Pictures, New York, NY
Gorney, Bravin + Lee, New York, NY
Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston, TX
American Century, Part II, Whitney Museum of American Art, New York, NY
Drawing into Paint, Foskick-Nelson Gallery, Alfred, NY
Examining Pictures: Exhibiting Paintings, Whitechapel Art Gallery, London; traveled to Museum of Contemporary Art, Chicago, IL (exh. cat.)

Young Americans 2: New Art in the Saatchi Collection, The Saatchi Gallery, London, UK (exh. cat.)
Exterminating Angel, Galerie Ghislaine Hussenot, Paris, France
Pop Surrealism, Aldrich Contemporary Art Museum, Ridgefield, CT
Codex USA: Works on Paper by American Artists, Entwistle, London, UK
Now and Forever Part 1, Pat Hearn Gallery and Matthew Marks Gallery, New York, NY
The New Surrealism, Pamela Auchincloss, New York, NY
Art and the American Experience, Kalamazoo Institute of Arts, Kalamazoo, MI

Now on View, Metro Pictures, New York, NY
Project Painting, Basilico Fine Arts and Lehmann Maupin Gallery, New York, NY
Abstract Painting, Carrie Hadad Gallery, Hudson, NY

Carpenter Center for Visual Arts, Harvard University, Cambridge, MA
How the Chicken Crossed the Road, Mai 36 Galerie, Zurich, Switzerland; traveled to Galerie Thaddaeus Ropac, Paris, France
Nuevas Abstracciones, Museo Nacional Centro de Reina Sofía, Madrid, Spain

Whitney Biennial, Whitney Museum of American Art, New York, NY (ex. cat.)
New York Abstract, Contemporary Arts Center, New Orleans, LA
Carroll Dunham, Lari Pittman, Jay Gorney, Modern Art, New York, NY
Contemporary Drawing: Exploring the Territory, Aspen Art Museum, Aspen, CO
Under Glass, Charles Cowles Gallery, New York, NY

Collectively Speaking: A Sampling of Private Collections, The Art Museum of Santa Cruz County,
What’s wrong with this Picture?, Zolla/Lieberman Gallery, Inc., Chicago, IL
In the Spirit of Things, Stux Gallery, New York, NY
Dysfunction, Arthur Roger Gallery, New Orleans, LA
Jay Gorney Modern Art, New York, NY
Summer Group Show, Baumgartner Galeries Inc., Washington, D.C.
Deadpan, The Work Space at Dolgenos Newman & Cronin, New York, NY
Sonnabend Gallery, New York, NY

Projects, Betsey Senior Contemporary Prints, New York, NY
What’s Wrong with this Picture?, Postmasters, New York, NY
A Series of Anniversary Exhibitions: Part II, Daniel Weinberg Gallery, Santa Monica, CA
Group Show, Postmasters, New York, NY
Extravagant: The Economy of Elegance, Russisches Kulturzentrum, Berlin, Germany
Drawings: 30th Anniversary Exhibition, Leo Castelli Gallery, New York, NY

American Art of the 80’s, Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, Trento, Italy (exh. cat.)
Carroll Dunham + Nicola De Maria, Thomas Segal Gallery, Boston, MA
Works on Paper, David Nolan Gallery, New York, NY
Carroll Dunham and Mel Kendrick: A Selection a Recent Work, Addison Gallery of American Art, Phillips Academy, Andover, MA
Drawn in the ’90s, Katonah Museum of Art, Katonah, NY (exh. cat.)
Illinworth Kerr Gallery, Alberta Gallery of Art, Calgary, Alberta, Canada
Huntsville Museum of Art, Huntsville, AL
Emerging New York Artists, Fine Arts Building, College of Fine Arts, Omaha, NE 

Carroll Dunham, Mike Kelley, Cindy Sherman, Metro Pictures, New York, NY
Sieben amerikanische Maler, Bayerischen Staatsgemäldesammlungen, Munich, Germany
Mel Bochner, Carroll Dunham, Barry Le Va, Galerie Faust, Geneva, Switzerland
Whitney Biennial, Whitney Museum of American Art, New York, NY (exh. cat.)
Paintings and Drawings, Daniel Weinberg Gallery, Santa Monica, CA
The Thing, Perry Rubenstein Gallery, New York, NY
Fall & Winter: 1991–1992, Daniel Weinberg Gallery, Santa Monica, CA
Ralph Humphrey, Matthew Weinstein, and Carroll Dunham, Perry Rubinstein, New York, NY

With the Grain: Contemporary Panel Painting, Whitney Museum of American Art, Fairfield County, Stamford, CT; Whitney Museum of American Art at Philip Morris, New York, NY (exh. cat.)
Amerikanische Zeichnungen in den achtziger Jahren, Grafische Sammlung der Albertina, Vienna, Austria; traveled to Museum Morsbroich, Leverkusen, Germany (exh. cat.) 
Galerie Faust, Geneva, Switzerland
Carroll Dunham and Terry Winters, Gallery Mukai, Tokyo, Japan
Waterworks, ULAE, New York, NY
The Last Decade: American Artists of the ’80s, Tony Shafrazi Gallery, New York, NY
Organic Abstraction, Nelson-Atkins Museum of Art, Kansas City, MO

Horn of Plenty, Stedelijk Museum, Amsterdam, Netherlands
Flanders Contemporary Art, Minneapolis, MN
Wiener Diwan: Sigmund Freud, heute, Museum des 20. Jahrunderts, Vienna (exh. cat.)
A Decade of American Drawing: 1980–1989, Daniel Weinberg Gallery, Los Angeles, CA
First Impressions: Early Prints by Forty-Six Contemporary Artists, Walker Art Center, Minneapolis, MN
New Works by Gallery Artists, Sonnabend Gallery, New York, NY
ULAE Prints, Galerie Fred Jahn, Munich, Germany

NY Art Now: Part II, Saatchi Collection, London, UK
Group Show: Carroll Dunham, Kenji Fujita, Peter Nadin, Laurie Simmons, Meyer Vaisman,
Jablonka Galerie, Cologne, Germany
Vital Signs: Organic Abstraction from the Permanent Collection, Whitney Museum of American Art, New York, NY
Altered States, Kent Fine Arts, New York, NY
Scott Hanson Gallery, New York, NY
Barbara Krakow Gallery, Boston, MA
Amerikanische Druckgraphik: Recent American Prints, Galerie Fred Jahn, Munich, Germany

Drawing Acquisitions, Museum of Modern Art, New York, NY
Schizophrenia, Josh Baer Gallery, New York, NY
Colección Sonnabend, Centro de Arte Reina Sofía, Madrid; traveled to Centre d’Art Contemporain de Bordeaux, France, Art Köln, Cologne, Germany; Hamburger Bahnhof, Berlin, Germany; Galleria Nazionale d’Arte Moderna, Rome, Italy; Museo d’ Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva, Switzerland; Sezon Museum of Art, Tokyo, Japan; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum, Fukuyama, Japan; National Museum of Modern Art, Kyoto, Japan (exh. cat.)

Paintings & Sculpture: Recent Acquisitions, Museum of Modern Art, New York, NY
Private and Public: American Prints Today, Brooklyn Museum of Art, NY
Intuitive Line, Hirschl & Adler Modern, New York, NY
Paravision, Margo Leavin Gallery, Los Angeles, CA
Art on Paper (22nd Annual Exhibition), Weatherspoon Art Gallery, Reading, PA
Drawing: Carroll Dunham, John Newman, Terry Winters, Jeffrey Hoffeld & Co., New York, NY

Painting as Landscape, Parrish Art Museum, Southampton, NY; traveled to Baxter Art Gallery, California Institute of Technology Pasadena, CA
Currents, Institute of Contemporary Art, Boston, MA
International with Monument, New York, NY
BAM Benefit, Mary Boone Gallery, New York, NY
Whitney Biennial, Whitney Museum of American Art, New York, NY
Real Surreal, Lorence Monk Gallery, New York, NY

Brilliant Color, Baskerville & Watson, New York, NY
Wedge Magazine Benefit Exhibition, Nature Morte Gallery, New York, NY
Inner Vision: Drawing, Barbara Krakow, Boston, MA
Drawing Show, Barbara Toll Gallery, New York, NY
Summer International, Daniel Weinberg Gallery, Los Angeles, CA
Figure in Paint, Cable Gallery New York, NY
New York i Dag, Nordjyllands Kunstmuseum, Aalborg, Denmark
10 Year Anniversary Exhibition, Artists Space, New York, NY

Nine Painters, Hallwalls, Buffalo, NY
Carroll Dunham & Terry Winters, Jan Bernier Gallery, Athens, Greece
Tradition, Transition, New Vision, Addison Gallery of American Art, Phillips Academy, Andover, MA
New Biomorphism and Automatism, Patricia Hamilton Gallery, New York, NY

4 Painters, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, MA
New Talent, New York, New Gallery, Cleveland, Ohio; traveled to Hayden Gallery, Massachusetts Institute of Technology, Cambridge, MA

Watercolors, Institute for Art and Urban Resources/PS1, Long Island City, NY

Selector’s Choice, Baltimore Museum of Art, Baltimore, MD

Lineup, Drawing Center, New York, NY
Young American Artists, Schema Gallery, Florence, Italy
Curatorial Projects

Elizabeth Murray, CANADA, New York, NY (with Dan Nadel) 

Open Windows, Addison Gallery of American Art, Andover, MA



Carroll Dunham: Green Period. Prints, Drawings, and Paintings 2018–2022. Texts by Carroll Dunham, Dan Nadel, and Mary Simpson. Geneva: JRP|Editions, 2023. 

Hudson, Suzanne. Contemporary Painting (World of Art). London: Thames & Hudson Ltd., 2021.

Gingeras, Alison M. New Images of Man. Los Angeles: Blum & Poe, 2020. 

Albert Oehlen & Carroll Dunham: Bäume/Trees. Düsseldorf/Hannover: Walther Koenig, 2019/2020.
Fry, Naomi. Carroll Dunham: Green Evening, Clouds, Orange Sky, Red Ending, Blue Ending. Zürich: Galerie Eva Presenhuber, 2019.

Carroll Dunham: Any Day Mud Men Green Hills of Earth Dusk Last Rites Left for Dead. Text by Catherine Taft. New York: Gladstone Gallery, 2018.

40 Years New. New York: New Museum; New York: Phaidon, 2017. Carroll Dunham: Wrestlers. Text by Alexi Worth. Los Angeles: Blum & Poe, 2017.
Chan, Paul, ed. Into Words: The Selected Writings of Carroll Dunham. New York: Badlands Unlimited, 2017. 2016
Carroll Dunham: Drawings 1982-96. New York: Gladstone Gallery, 2016.
Horse and Rider (My X), Game, Now and Around Here, Culture as a Verb, Big Bang (Actual Size): Carroll Dunham. New York: Gladstone Gallery, 2016. 

Hudson, Suzanne. Painting Now. New York: Thames & Hudson, 2015.

Dunham, Carroll and Alison Gingeras. Bathers, Trees: Carroll Dunham. New York: Gladstone Gallery, 2013.
Miller, Dan, ed. The Art World and the World Wide Web: Essays, Interviews, and Case Studies. New York: Exhibit-E, 2013.
Rubinstein, Raphael. Reinventing Abstraction: New York Painting in the 1980s. New York: Cheim & Read, 2013.

Carroll Dunham: A Drawing Survey. Los Angeles: Blum & Poe, 2012. Text by Natalie Haddad.

Miller, Dan, ed. The Art World and the World Wide Web: Essays, Interviews, and Case Studies. New York: Exhibit-E, 2011, 112-116.

Permanent Trouble: Sammlung Kopp. Cologne: Snoeck, 2010, 97-114.

Hall, Emily, ed. Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection. New York: Museum of Modern Art, 2009, 194-195.

Carroll Dunham: Painting and Sculpture 2004-2008, Millesgården, Sweden. Text by Kate Linker. Zurich: JRP Ringier, 2008.
Woods, Kelly and Marc Jancou. Faces and Figures Revisited. New York: Marc Jancou Contemporary, 2008.

De Corral, Maria and John R. Lane. Fast Forward: Contemporary Collections for the Dallas Museum of Art. New Haven: Yale University Press, 2007.
Dunham, Carroll. Carroll Dunham: Dead, Yellow, Mule. Garbage, Ratio. Giant. New York: Gladstone Gallery, 2007.
Lawson, Thomas, ed. Counterparts: Contemporary Painters and Their Influences. Virginia Beach: Contemporary Art Center of Virginia, 2007.
Logan, Kent. Impulse: Works on Paper from the Logan Collection. Vail, CO: Logan Collection Vail, 2007.
Rockers Island: Olbricht Collection: Museum Folkwang. Gottingen, Germany: Steidl, 2007.
Radar: Selections from the Collection of Vicki and Kent Logan. Denver, CO: Denver Art Museum, 2007.

Amato, Micaela and Joyce Henri Robinson. Couples Discourse. University Park, PA: Palmer Museum of Art, 2006.
Carroll Dunham. London: White Cube, 2006.
Thorkildsen, Asmund. X#*@(ING) Index! Who is Pointing at Who – and Why – in Carroll Dunhan’s Drawings. London: Koenig Books, 2006.

Contemporary Voice:  The Contemporary American Art from Misumi Collection.  Tottori: Tottori Prefectural Museum, 2005.
Dervaux, Isabelle and Michael Duncan. Surrealism USA.  New York: National Museum; Ostfildern, Germany: Hatje Cantz, 2005.
Line That Never Ends: Carroll Dunham: Drawings 1984-2004. Zurich: Edition & Verlag Judin; New York: Nolan/Eckman Gallery, 2005.

Carroll Dunham: He, She and It. New York: Gladstone Gallery, 2004.
Kertess, Klaus. Fabulism: Carroll Dunham, Ellen Gallagher, Chris Ofili, Neo Rauch, Matthew
Omaha, NE: Joslyn Art Museum, 2004.
Storr, Robert. Disparities & Deformations: Our Grotesque. Sante Fe: SITE Santa Fe, 2004.

Roukes, Nicholas. Artful Jesters: Innovators of Visual Wit and Humor. Toronto:  Ten Speed Press, 2003.

Cameron, Dan, ed. Carroll Dunham: Paintings. New York: New Museum of Contemporary Art; Ostfildern, Germany: Hatje Cantz, 2002. Distributed by DAP.
Prather, Marla and Dana Miller. New York Renaissance: Masterworks from the Whitney Museum of American Art.  Milan: Electa, 2002.
Russell, Emily, ed. Art at Work: Forty Years of the JP Morgan Chase Collection. New York: J.P. Morgan Chase, 2002.

Nesbett, Judith and Francesco Bonami. Examining Pictures: Exhibiting Paintings. London: Whitechapel Art Gallery, 1999.
Mottahedan, Mohammad, ed. Once Upon a Time in America: The Mottahedan Collection. London: Christie’s Books, 1999.
Phillips, Lisa. The American Century: 1950-2000. New York: Whitney Museum of American Art, 1999.

Adams, Brooks and Lisa Liebman. Young Americans 2: New Art in the Saatchi Gallery. London:
Saatchi Gallery, 1998.
Carroll Dunham: Land. New York: Nolan/Eckman Gallery, 1998.

Schaffner, Ingrid. Project Painting. New York: Basilico Fine Arts and Lehmann Maupin, 1997.

Plous, Phyllis. Carroll Dunham: Paintings and Drawings. Santa Barbara: Santa Barbara Contemporary Arts Forum, 1996. Distributed by University of Washington Press.

Kertess, Klaus and John Ashbery. 1995 Biennial Exhibition. New York: Whitney Museum of American Art, 1995. Distributed by Harry N. Abrams.

Belli, Gabriella and Jerry Saltz. American Art of the 80’s. Milan: Electa, 1992.
Drawings. New York: David Nolan Gallery, 1992.
Smith, Joshua P. and Sean Rainbird. Drawn in the ‘90s. New York: Independent Curators International, 1992.
Winer, Helene. Carroll Dunham. Cologne: Jablonka Galerie, 1992.

1991 Biennial Exhibition. New York: Whitney Museum of American Art, 1991.
Sieben amerikanische Maler. Munich: Bayerische Staatsgemäldesammlungen, 1991.

Amerikanische Zeichnungen in den achtziger Jahren. Munich: Fred Jahn, 1990.
Cameron, Dan. Carroll Dunham. Cologne: Jablonka Galerie, 1990.
Feinstein, Roni. With the Grain: Contemporary Panel Painting. New York: Whitney Museum of American Art, 1990.
The Last Decade: American Artists of the 80’s. New York: Tony Shafrazi Gallery, 1990.

Wiener Diwan: Sigmund Freud, heute. Vienna: Museum des 20. Jahrhunderts, 1989.

Carlson, Prudence. Carroll Dunham: Zeichnungen-Drawings, 1982-83. Munich: Fred Jahn, 1988.

Colección Sonnabend. Madrid: Centro de Arte Reina Sofía and Ministerio de Cultura, 1987.

Gould, Claudia. Nine Painters. Buffalo, NY: Hallways, 1983.

Halbreich, Kathy. 4 Painters: Carroll Dunham, Ralph Hilton, John Kohring, Carol Lindsley. Cambridge, MA: Hayden Gallery, Massachusetts Institute of Technology, 1981.

Selected Articles and Reviews

Fry, Naomi. “Carroll Dunham’s Paintings Make You Squirm.”, April 3, 2022.

“A Talk between Mel Bochner and Carroll Dunham 50 Years in the Making.”, April 7, 2021.
Sheets, Hilarie M. “‘It’s So Important for Women to Have Their Own Business Right Now’: Ivy Crewdson on Starting Her Art Advisory.”, February 22, 2021.
Frost, Sam. “More inside the Light-Filled Los Feliz Home of Two Art-World Wonders.”, February 12, 2021.
Haddad, Natalie. “Four Artists Recall a Year to Forget.”, January 2, 2021.

Reinhardt, C. “Carroll Dunham at Gladstone Gallery through January 9th, 2021.”, December 18, 2020.
Yau, John. “George Condo’s Cutism.”, December 12, 2020.
Mullen, Matt. “Carroll Dunham.” December 7, 2020.
Maine, Stephen. “Artists Quarantine with Their Art Collections.”, November 7, 2020.
Miller, M.H. “The T List: Five Things We Recommend This Week.” T: New York Times Style Magazine, April 2, 2020.  

Elderton, Louisa. “Carroll Dunham Galerie Eva Presenhuber / Zurich.”, July 17, 2019.
Herbert, Martin. “Coming Up.” ArtReview vol. 71, no. 8 (November 2019): 62-64.
Scrimgeour, Alexander. “The Cock Crows.”, July 2019.
Shane, Charlotte. “Lust Never Sleeps.” Bookforum vol. 26, issue 1 (April/May 2019): 8-9.
Wank, Luise. “From the Untold Story of the Pre-Raphaelite Sisterhood to Caravaggio Meets Bernini, Here Are 13 Unmissable Museum Shows to See in Europe This Fall.” Artnet News, September 2, 2019.

Burns, Charlotte. “Wrestling with Artist Carroll Dunham.” In Other Words (Art Agency, Partners blog), May 17, 2018.
"Carroll Dunham's Wrestlers Paintings at Gladstone Gallery in New York." Autre Magazine (blog), May 31, 2018. 
Cascone, Sarah. “’He Copies Me Much More Than I Copy Him’: Laurie Simmons and Carroll Dunham on 35 Years of Creative Cohabitation.” Artnet News, May 17, 2018.
Corwin, William. "Carroll Dunham." Brooklyn Rail, June 5, 2018. 
Goyanes, Rob. “Opposites Attract / Not Your Traditional Nude.” Cultured Magazine (April/May
2018): 166-167, 170-171.
Heinrich, Will. “Carroll Dunham at Gladstone Gallery.” New York Times, June 13, 2018.
Herriman, Kat. "Two Art World Heavyweights Discuss Painting and Parenting." T: The New York Times Style Magazine, September 7, 2018. 
Nadel, Dan. “Human Nature.” Artforum (September 2018): 270-77.
Scott, Andrea K. “At the Galleries: Carroll Dunham.” New Yorker, June 13, 2018.
Walsh, Brienne. "In a New Body of Paintings, Carroll Dunham Explores a Taboo: The Male Nude.", May 18, 2018. 
Yerebakan, Osman Cat. "Carroll Dunham's Nude Wrestlers Reveal Tenderness and Brutality." Elephant Magazine 24 (Autumn 2018). 

“Carroll Dunham & David Salle with Cornelius Tittle.” Brooklyn Rail, December 14, 2017.
Cascone, Sarah. “Editors’ Picks: 20 Things to See in New York This Week.” Artnet News, October 16, 2017.
Dunham, Carroll. “The Marshall Plan: Carroll Dunham on Kerry James Marshall’s ‘Mastry.’” Artforum (January 2017).
Fortson, Sara. "Carroll Dunham at Blum & Poe.", June 8, 2017.
Sabo, Scout. “Carroll and Lena Dunham Share Five Thoughts on Epic Sci-FI Strange Days.” Interview Magazine, November 3, 2017.
Scott, Andrea K. “What We’re Reading This Week.” New Yorker, November 21, 2017.
Sillman, Amy. “Bless This Mess.” Bookforum (December/January 2017).
Weinstein, Matthew. “Artist on Writing: An Interview with Carroll Dunham.” BOMB Magazine,
October 17, 2017.
Zellen, Jody. “Continuing and Recommended: Carroll Dunham.” ArtScene 36, no. 9 (June 2017): 15.

"Car Talk: Artists Mary Simpson & Carroll Dunham Hit the Road." BOMB, April 29, 2016.
"Der Garten Eden des Carroll D." Blau 12 (Summer 2016): 40-51. Fleischner, Sam. "Private View: Carroll Dunham." Video, 2:48. Posted by, April 26, 2016.
Frankel, David. “Review of Carroll Dunham: Gladstone Gallery, New York.” Artforum 54, no. 7 (March 2016): 273-274.
Kazanjian, Dodie. "The Top 10 Art Shows of 2015." Vogue, December 15, 2015.
Nadel, Dan. "Knowledge About a Thing: Carroll Dunham's Drawings." Hyperallergic, September 24, 2016.
O'Brien, Glenn. "Carroll Dunham: Stronger Than Paradise." Purple 26 (Fall/Winter 2016).
Simonini, Ross. “Carroll Dunham: In The Studio.” Art in America, January 2016.
Worth, Alexi. "Carroll Dunham: Eyes Wide Shut." The Brooklyn Rail, November 1, 2016. 

Bernstein, Judith. "An Interview with Carroll Dunham." Kaleidoscope, no. 25 (Fall 2015).
Judd, Jonathan. "Carroll Dunham at the Gladstone Gallery.", November 4, 2015.
Nadel, Dan. "Don't Spook the Horse: Carroll Dunham on his New Work." Hyperallergic,
November 14, 2015.
Pogrebin, Robin. “Carroll Dunham’s Show at Gladstone Gallery.” The New York Times, October 21, 2015.
Powers, Bill. “‘It’s a Toxic Soup of Ego and Higher Callings’: A Talk with Carroll Dunham.” ARTnews, December 7, 2015.
Taft, Catherine. "Carroll Dunham." Kaleidoscope, no. 25 (Fall 2015): 112-141.

Dunham, Carroll. “Books: Best of 2014.” Artforum 53, no. 4 (December 2014): 105.
Ruiz, Cristina. "One-person Shows Give Artists Fair Advantages." Financial Times, May 2, 2014.

Kardon, Dennis. “Carroll Dunham.”, March 26, 2013.
Stockman, Jennifer. "Carroll Dunham on New Works and Talented Daughter Lena." Gotham, viewed February 19, 2013. 

Cheng, Scarlet, Eve Wood, and Ezrha Jean Black. "The Ratings." Artillery 6, no. 6 (Summer 2012): 18-19.
Garcia, Kathryn. "Carroll Dunham and Becoming Woman.", December 21, 2012. McQuaid, Cate. “Circular Take on Modernism.” Boston Globe, March 6, 2012.
Melrod, George. “Carroll Dunham: 'A Drawing Survey' at Blum & Poe.” Art Ltd (July-August 2012): 18.
Muller, Mario M. “Carroll Dunham at Blum and Poe.”, May 11, 2012.
Rossetti, Chloé. “Carroll Dunham.”, December 14, 2012.
Wagley, Catherine. “Lena Dunham's Girls and Her Dad Carroll's Drawings: Two Approaches to Making Us Uncomfortable.”, May 23, 2012.
Walleston, Aimee. "Carroll Dunham Opens Windows for New Talent.", March 12. 2012.

Bradley, Joe. “Carroll Dunham: Interview.” Journal, no. 31 (2011): 140-57.
Hennessy, Christina. “Master Printers Exhibit Set.”, April 1, 2011.
Kuo, Michelle. “Acting-Out: The Ab-Ex Effect.” Artforum, July 1, 2011.

Bjornland, Karen. “2010 Arts Preview.” Sunday Gazette, January 17, 2010.
Brauner, Jeffrey. “Museum Exhibit: Art or Childish Doodles?” Albany Student Press, March 16, 2010.
Dunham, Carroll. “One-Eyed Jack: Carroll Dunham on William Baziote’s Dwarf, 1947.” Artforum 49, no. 10 (Summer 2011): 327.
Kane, Tim. “Carroll Dunham Exhibition at UAlbany Showcases Doodles and Prints.”, February 21, 2010.
Mayer, Rus. “Carroll Dunham.” L.A. Times Magazine, May 2010. 
Mueller, Stephen. “Carroll Dunham.” Art in America 98, no. 2 (February 2010): 112-114.
Pagel, David. “Power Meets Pleasure: Carroll Dunham.” Los Angeles Times, April 30, 2010.
Rosenberg, Meisha. “Twisted Genesis.” Metroland, March 4, 2010.
Saltz, Jerry. “The Dazzler: Sigmar Polke.” New York Magazine, June 11, 2010.
Streeter, Bridget. “Art Exhibition to Showcase Dunham´s Work.” Albany Student Press, February
2, 2010.
Streeter, Bridget. “Carroll Dunham Comes to U-Albany.”, February 1, 2010.
Weiss, Hermann. “Einmal Rebell, immer Rebell, Welt am Sonntag,” April 4, 2010.

Bui, Phong. “Carroll Dunham in Conversation with Phong Bui.” Brooklyn Rail, November 2009.
Drexler, Jolanda. "Passioniert Provokativ – Die Sammlung Stoffel." Kunstforum International, no.
195 (March 2009): 363. 
Goodman, Jonathan. “Carroll Dunham at Gladstone Gallery.”, December 28, 2009.
Johnson, Ken. “Carroll Dunham.” New York Times, November 11, 2009.
Saltz, Jerry. “Hither and Yoni.” New York Magazine, November 2009: 109.
Saltz, Jerry. “Truly Tasteless Art.” New York Magazine, January 11, 2009.
Scott, Andrea K. “Earthly Delights.” New Yorker, December 7, 2009, 16.
Weinstein, Matthew. “Meeting of Minds.” Modern Painters 21, no. 9 (December 2009-January
2010): 44-45.

Beem, Edgar Allen, “Contemporary Artists Carroll Dunham and Frank Gohlke.”, May 2008.
Bell, Kirsty. “Dead, Broken and Dry.” Von Hundert, (July 2008): 9.
“Carroll Dunham Prints and Master Works from the Permanent Collection Round out Spring Season at the Addison.” Business Wire, May 2008.
Cook, Greg. “Carroll Dunham.” New England Journal of Aesthetic Research (, July 2, 2008.
Johnson, Ken. “Suggestive Forms That Come Out of the Plywoodwork.” New York Times, March 25, 2008.
Kahn, Joseph P. “A Master Printmaker.” Boston Globe, May 25, 2008.
Kamgren, Mattias. “Carroll Dunham lämnar makten till motivet.” Lidingö Tidning, (September 5, 2008): 18.
Kletke, Daniel. “Chlorophyll in grünen Kringeln.”, May 2, 2008.
Miller, Francine Koslow. “Carroll Dunham.” Artforum 47, no. 2 (October 2008): 388-89.
“Passionate Provocative: The Stroffel Collection Opens at Pinakothek de Modern.”,
November 22, 2008.
Pincus-Witten, Robert. “Carroll Dunham.” Artforum 46, no. 10 (Summer 2008): 437.
Pincus-Witten, Robert. “Etc: The Eyes Had It.” Artforum 46, no.10 (January 1, 2008).
Saltz, Jerry. “Top Ten 2008.” New York Magazine, December 2008.
Smee, Sebastian. “Critics’ Picks- Visual Arts.” Boston Globe, June 29, 2008.
“US Artist Carroll Dunham on Display at Sweden’s Millesgarden.” Earth Times, September 30, 2008.
Wadstein Macleod, Katarina. “Carroll Dunham svår att ta på allvar.” SvD, (October 4, 2008): 8.

“Carroll Dunham.” New Yorker, April 16, 2007, 24.
Birke, Judy. “YUAG print exhibit shows diversity of a timeless technology.” New Haven.
Bjørnskau, Erik. “Maler bare Magnolia Cross.”, September 28, 2008.
Colman, David. “Chained to His Desk.” New York Times, April 8, 2007.
Dobrzynski, Judith. “Pioneer Spirit.” Town & Country, vol. 161 (November 2007): 157.
Ebony, David. “Sailing into the 21st century.” Art in America, April 1, 2007.
Giving, Trine Rom. “Kunstskatter frem I lyset.” E24, August 12, 2007.
Harr Skargestad, Line. “Internasjonale gallerisamarbeid.” Billedkunst, no. 7 (December 11,
Rubinstein, Raphael. “It's Not Made by Great Men: The Traveling Exhibition." High Times, Hard Times: New York Painting 1967–1975.” Art in America, no. 1 (September 1, 2007).
Saltz, Jerry. “Charnel Knowledge.”, March 27,2007.
Schorr, Collier. Artforum 46, no. 4 (December 1, 2007).
Schumacher, Mary Louise. “Gallery Night.” Milwaukee Journal Sentinel, January 17, 2007.
Thorson, Alice. “Art Installations in Bloch Building Need More 'Wow'.” Kansas City Star, June 10,
Zarbell-Engh, Bjørn. “Blant de utvalgte.” Drammens Tidende, October 19, 2007.

Bulie, Kåren. “Kampen for tilværelsen.” DN Magasinet, May 20/21, 2007: 59.
Coomer, Martin. “Carroll Dunham.” Time Out (London), November 20, 2006.
Rasmussen, Maria. “Vold på papiret.” Drammens Tidende, September 20, 2006.
Sandberg, Lotte. “Ukontrollerbare forandringer.”, May 23, 2006.
Stein-Grebin, Deidre. “How Bloopers Become Breakthroughs.” Art News 105, no. 8 (November
2006): 172.
Thorson, Alice. “The Invented Worlds of ‘Remote Viewing’.” Kansas City Star, August 6, 2006.
Urdshals Dalsrud, Lisbet. “Tar samtiden på museum.” Drammens Tidende, January 24, 2006.
Worth, Alexi. "True Discomfort: Carroll Dunham in Conversation.", 2006.
Zarbell-Engh, Bjørn. “Skummel førstepris.” Drammens Tidende, November 2, 2006.
Zarbell-Engh, Bjørn. “Stor kunst I lite format.” Drammens Tidende, May 20, 2006.

Daniels, Corinna. “Berlin: Atle Gerhardsen zeigt Carroll Dunham.” Welt (Berlin), September 24, 2005.
“Dead Spaces.” Ex Berliner, no. 32 (October 2005): 47.
Gural, Natasha. “Whitney Exhibit Brings Together Eight Painters Who Straddle Abstraction and Representation.” AP Worldstream, June 10, 2005.
Herbstreuth, Peter. “Bleiregen.” Sonnabend, September 17, 2005.
Kunitz, Daniel. “Publisher’s Catalogue.” Art Review 58 (November 2005): 126-31.
Longhi, Tomassio. “Carroll Dunham.” Brooklyn Rail, January 2005.
Maine, Stephen. “Remote Viewing: Whitney Museum of American Art. Brooklyn Rail, September 2005.
Schjeldahl, Peter. “Critic´s Notebook: Brave New World.” New Yorker, July 4, 2005, 22.
Schwendener, Martha. “Remote Viewing: Invented worlds in recent paintings and drawings.” Artforum International, November 1, 2005.
Scott, Andrea K. “World Piece: Eight Painters Invent—and Fragment – Cosmologies.” Time Out (New York), July 28-August 3, 2005.
Thorson, Alice. “Art Captures Darker Side.” Kansas City Star, December 22, 2005.
Yablonsky, Linda. “What Makes A Painting A Painting?” Art News 104, no. 4 (April 1, 2005).

Carlson, Peter. “In Harper´s, CPR for a Very Sick World.” Washington Post, January 5, 2004.
Gopnik, Blake. “How Grotesque! How Grand!” Washington Post, July 25, 2004.
Greben, Deidre Stein. “ExAbs.” Art News 103, no. 11 (December 2004): 110-15.
Joelson, Suzanne. “Carroll Dunham, ‘He, She, and It’.” Time Out (New York), November 18-24,
LaGreca, Patrick. “The Answer Isn’t In The Painting.” Reader (Omaha), January 29-February 4, 2004.
Roukes, Nicholas. Artful Jesters: Innovators of Visual Wit and Humor, Ten Speed Press, Toronto, February 2004.
Wood, Eve. “Carroll Dunham at Daniel Weinberg.” Flash Art 37, no. 236 (May-June 2004): 140.

Bourbon, Matthew. “The Phallic Wars of Carroll Dunham.”, January 2003.
Chapman, Peter. “Carroll Dunham.” Independent, March 22, 2003.
Hirsch, Faye. “Dunham´s Demonology.” Art in America, no.1 (January 2003): 66-73.
Jones, Kristin M. “Carroll Dunham.” Frieze, no. 73 (March 2003): 90-91.
Kröner, Agdalena. "Carroll Dunham: Retrospektive. New Museum of Contemporary Art,” Kunstforum International, p. 382.
MacMillan, Kyle. “Making the Big Time Confounds Painter.” Denver Post, August 1, 2003.
Rothkopf, Scott. “Carroll Dunham: New Museum of Contemporary Art.” Artforum 42, no. 1 (September 2003).
Sirmans, Franklin. “The Paintings of Carroll Dunham.” Time Out (New York), January 2003.
Spurny, Angelika. “Red Shift (1987/88) von Carroll Dunham im Kupferstichkabinett.” BZ, February 16, 2003.
Valdez, Sarah. “Carroll Dunham: The New Museum of Contemporary Art.”
Art News 102, no. 1 (January 2003): 120.

Braun, Alexander, “Laurie Simmons. Galerie 20.21, Essen, Kunstforum International (April 27, 2002): 348.
Dannatt, Adrian. “Artist's Interviews, New York: Carroll Dunham–Taken Over by the Doodle.” Art Newspaper, no. 125 (May 2002): 31.
Johnson, Ken. “Carroll Dunham – Mesokingdom.” New York Times, May 17, 2002.
Katjzestan, Dodie. “Independence Day.” Vogue (November 2002): 332.
Kimmelman, Michael. “Getting Past the 80’s: An Evolutionary Tale.” New York Times, November 1, 2002.
Liebmann, Lisa. “Best of 2002.”, Artforum 41, no. 4 (December 2002): 108-109.
Mahoney, Robert. “Carroll Dunham, ‘Mesokingdom (Paintings)’.” Time Out (New York), May, 2002.
Plagens, Peter. “The Blob Strikes Again.” Newsweek (December 9, 2002): 86.
Schjeldahl, Peter. “Carroll Dunham.” New Yorker, May 13, 2002, 18.
Sheets, Hilarie M. “An ‘Art World Secret’ Plumbs the Mysterious Id.” New York Times, October 27, 2002.
Storr, Robert. “Slow Burn: Carroll Dunham.Artforum 41, no. 3 (November 2002): 146-51.

“American Art.” Galerie Rudolfinum, The Centre of Contemporary Art (Prague), 2001.
Tallman, Susan. “Hot Pink Souls Ice: The Printed Work of Carroll Dunham.” Art on Paper 5, no. 4 (March-April 2001): 44-53.
“Working Proof.” Art on Paper, (March-April 2001): 72–9.

Goodman, Jonathon. “Carroll Dunham.” Contemporary Visual Arts, Issue 27, 2000, p. 68
Siegel, Katy. “Carroll Dunham: Metro Pictures.” Artforum 38, no. 6 (February 2000): 118.

Bourbon, Matthew. “Carroll Dunham at Metro Pictures.” NY Arts (November 1999): 88.
Dannatt, Adrian. “Mayhem at Metro.” Art Newspaper, November 1999, p. 70.
Gregg, Gail. “Blob Appeal.” Art News (January 1999): 102–5.
Kimmelman, Michael. “Carroll Dunham.” New York Times, November 19, 1999.
Kingsley, April. “Drawing the Line.” d'Art International 2, no. 2 (Spring-Summer 1999): 31–33.
Naves, Mario. “Carroll Dunham Does Guston Lite.” New York Observer (November 15, 1999): 19.
Sante, Luc. “Triumph of the Image.” New York Times Magazine (September 19, 1999): 72–73.
Scott, Andrea K. “Carroll Dunham: Metro Pictures.” Time Out (New York), December 2, 1999, p. 68.
Turner, Grady T. “Abstracted Flesh.” Flash Art (January-February 1999): 66-69.

“Back in the High Life Again.” Art & Auction (March 1998): 19.
Cameron, Dan. “Carroll Dunham: Metro Pictures.” Artforum 36, no. 7 (March 1998): 95.
Dorment, Richard. “Contemporary Art for Couch Potatoes.” Daily Telegraph (London), May 6, 1998.
Drolet, Owen. “Pop Surrealism.” Flash Art (Summer 1998): 61.
“Exhibition: Young Americans 2.” Times (London), April 28, 1998.
Homes, A.M. “The Best of 1998.” Artforum 37, no. 4 (December 1998): 104–5.
Kalina, Richard. “Dunham’s Dystopia.” Art in America 86, no. 3 (March 1998): 97-99.
Kent, Sarah. “Wrappers' Delight.” Time Out (London), May 6, 1998.
Kimmelman, Michael. “In Connecticut Where (illustration) ravaggio First Landed.” New York Times, July 17, 1998.
Kimmelman, Michael. “How the Tame Can Suddenly See Wild.” New York Times, August 2, 1998.
Lambirth, Andrew. “Real Oil Painting is Real Cool.” Independent (London), April 28, 1998.
Lombardi, Dominick. “An Art Lover's Candy Store at the Aldrich Museum.” Record, June 26, 1998.
Lovatt, Estelle. “Young Americans 2.” Footloose Magazine (London), May 13, 1998: 4.
Madoff, Steven. “Pop Surrealism.” Artforum (October 1998): 120.
McCormick, Carlo. “Surrealism Goes Pop.” Juxtapoz, (Winter 1998).
Packer, William. “Not so Sweet Nothings From America.” Financial Times (London), May 2-3, 1998.
Re, Gianmarco del. “Young Americans 2: Parts I & II.” Flash Art, (November-December 1998): 66.
Searle, Adrian. “Monsieur le Patron.” Guardian Weekly (London), May 10, 1998.
Seror, Kiki. Jansons, Max. “An Interview with Carroll Dunham.” Columbia School of the Arts- Faculty Brochure: 10.
“The Hastings Report.” New York 28, no. 5, cover (illustration).
“Triumph of the Young Americans.” Ham and High (London), May 8, 1998.
Volle, Wenche. “Livet på en rosa planet.” Aftenposten, October 28, 1998.
“Young Americans 2.” Week (London), May 16, 1998.
Zimmer, William. “Recipe for a Good Time: Surrealism and Pop Culture.” New York Times, August 2, 1998.

Cotter, Holland. “Carroll Dunham.” New York Times, October 31, 1997.
Greene, David A. “Project Painting.” Frieze (November-December 1997): 90-91.
Halle, Howard. “Four on the Floor.” Time Out (New York), April 17, 1997: 41.
Rimanelli, David. “At the Galleries: Nasty Pictures.” New Yorker, November 17, 1997: 82-83.
Schaffner, Ingrid. “Project Painting.” Lehmann Maupin and Basilico Fine Arts, New York,1997.
Shottenkirk, Dena. “New York in Brief.” International Contemporary Art, (September-November
1997): 43.
Smith, Dinitia. “Beside the Hudson. The Lure of Art.” New York Times, October 10, 1997: E 38.
Sussler, Betsy. “Carroll Dunham,” Bomb: Speak Art: 70-79.

Braff, Phyllis. “Art; Power and Imagination in Original Work: Carroll Dunham.” New York Times, July 14, 1996.
Crowder, Joan. “A Volatile Feast.” Santa Barbara News, September 27, 1996: 11-22.
Dahl, Renee. “ArtBeat: Audrey Flack and Carroll Dunham.” East Hampton Independent, July 10, 1996.
Glueck, Grace. “City Sophistication Spends the Summer in Long Island.” New York Times, July 12, 1996: C24.
Lovelace, Carey. “Carroll Dunham: Baskerville & Watson.” Art News, (October 1996): 138.Lovelace, Carey. "A Gleaming Harvest at 'Crystal Gardens'.” Newsday, July 12, 1996.
Spring, Justin. “The Whimsical and Grotesque.” East Hampton Star, July 18, 1996: 111-117.
Tremin, Christine. “Going Back to School in American Art History.” Boston Sunday Globe, June
23, 1996: 20B- 22.
Smith, Roberta. “Savouring a Medium Whose Bite has Grown with Age.” New York Times, June 21, 1996.
Wolberg Weiss, Marion. “Art Commentary.” Dan's Paper, June 28, 1996: 86–87.
Print Collector's Newsletter (March-April 1996).

Bankowsky, Jack. “Jack Bankowsky talks with Klaus Kertess.” Artforum 33, no. 5 (January 1995): 71.
Goldberg, Paul. “The Art of His Choosing.” New York Times Magazine, February 26, 1995.
Hagen, Chris. “At the Whitney Biennial.” Artforum (Summer 1995): 56-61.
Heartney, Eleanor. “Carroll Dunham at Sonnabend Gallery.” Art in America 83, no. 3 (March1995): 104-5.
Jones, Ronald. “Carroll Dunham: Sonnabend Gallery, New York.” Frieze, no. 20 (January
February 1995): 54-55.
MacAdam, Alfred. “Carroll Dunham: Sonnabend.” Art News 94, no. 1 (January 1995): p. 161.
Perl, Jed. “Jed Perl on Art: War Stories.” New Republic, (May 8, 1995): 27-30.
Ritchie, Matthew. “Carroll Dunham: Sonnabend.” Flash Art 28, no. 182 (May-June 1995): 113-14.
Schjeldahl, Peter. “One Man Show: Klaus Kertess's Biennial Moyen Sensuel.” Village Voice, April 4, 1995: 72-73.
Sherman, Mary. “Three Stooges of Art Startingly Refined.” Sunday Boston Herald, November 5, 1995: 48.
Tremin, Christine. “Raising Bad Taste to a Fine Art.” Boston Globe, November 15, 1995: 90.

Cameron, Dan. “Ode to Discernment.” Frieze, no. 14 (January-February 1994): 36-41.
De Ferrari, Gabriella. “Two of Hearts.” Mirabella (February 1994): 54-55.
Gimelson, Deborah. “It’s a Wonderful Life.” Art News 93, no. 6 (Summer 1994): 170-72.
Kertess, Klaus. “Creatures of the Plane: Klaus Kertess Visits Carroll Dunham." Artforum 32, no. 9, (May 1994): 62-67.
Perl, Jed. “Twombly Time.” New Republic 211, no. 20 (November 14, 1994): 28-32.

“Galleries-Soho.” New Yorker (February 22, 1993): 24.
Clarkson, David. “Carroll Dunham: Sonnabend Gallery.” Flash Art 26, no. 170 (May-June, 1993):
Clarkson, David. “What’s Wrong with This Picture.” Flash Art 36, no. 172 (October 1993): 78.
Cotter, Holland. “Carroll Dunham.” New York Times, March 5, 1993.Danto, Arthur C. “Art after the End of Art. Artforum 31, no. 8 (April 1993): 62-69.
Kazanjian, Dodie. “What’s Up With Art? A Group Show of Opinions.” Interview Magazine (August 1993): 84-89, 109.
MacAdam, Alfred. “Carroll Dunham at Sonnabend.” ARTNews 92, no. 5 (May 1993): 132.
Perl, Jed. “Art: What There Was to See.” New Criterion 2, no. 11 (June 1993): 48-55.
Schwartz, Michael. “Carroll Dunham.” Galeries Magazine, no. 53 (February-March 1993): 70-73.
Stapen, Nancy. “Worcester Show Draws on a Full Spectrum of Ideas.” Boston Globe, December 27, 1993.

Brock, Hovey. “Carroll Dunham: David Nolan.” Art News 91, no. 8 (October 1992): 137.
Cameron, Dan. “The Outlaw Academy.” Art & Auction (May 1992): 96-98.
Kimmelman, Michael. “Carroll Dunham.” New Yorker, May 11, 1992, 13-14.
Kimmelman, Michael. “Carroll Dunham.” New Yorker, May 18, 1992, 15.
Kimmelman, Michael. “Carroll Dunham: David Nolan Gallery.” New York Times, May 22, 1992.

Decter, Joshua. “Review.” Arts Magazine 65, no. 5 (January 1991): 97-98.
Hagen, Charles. “Carroll Dunham at Sonnabend Gallery.” Artforum 29, no. 5 (January 1991): 119.
Johnson, Ken. “Report for New York: Generation Saga.” Art in America 79, no. 6 (June 1991): 45-51.
Jones, Bill. “American Artists of the ‘80’s.” Tema Celeste (January-February 1991): 84.
Kimmelman, Michael. “At the Whitney, a Biennial That’s Eager to Please.” New York Times, April 19, 1991.
Perl, Jed. “Hip!? Hype!? Hooray!?” New Criterion (January 1991): 59-63.
Schjeldahl, Peter. “Cutting Hedge.” Village Voice, April 30, 1991.
Schütz, Heinz. “Sieben Amerikanische Maler. Staatsgalerie Moderner Kunst.” Kunstforum International, (1991): 373.
Wallach, Amei. “A Trip Through the Attitudes.” New York Newsday, April 19, 1991.
Woodward, Richard B. “Carroll Dunham at Sonnabend.” Art News 90, no. 1 (January 1991): 144-46.

Brenson, Michael. “Carroll Dunham at Sonnabend Gallery.” New York Times, November 9, 1990.
Fife Day, Meredith. “A Poignant Look at 80’s Abstract Painting.” Middlesex Community Newspaper, March 23, 1990.
“Goings on About Town.” New Yorker (November 4, 1990): 20.
Heymer, Kay. “Carroll Dunham: Jablonka.” Flash Art (International) 23, no. 155 (November-December 1990): 158-159.
Schjeldahl, Peter. “The New Low.” Village Voice, November 13, 1990.
Smith, Roberta. “Works from the 80’s - a Certain Optimism.” New York Times, September 21, 1990.
Sussler, Betsy. “Carroll Dunham.” Bomb, no. 30 (Winter 1990): 70-79.
Tremin, Christine. “Abstraction Puts on a New Face in the '80's.” Boston Globe, March 23, 1990.

Brintzenhofe, Keith S. “Carroll Dunham, in progress to Red shift.” Print Collector’s Newsletter 19, no. 6, (January-February 1989): 217–220.
Carlson, Prudence. “Carroll Dunham: Drawings 1982-1983. M/e/a/n/i/n/g (May 1989): 45.
Halley, Peter. “B.Z. & Michael Schwartz.” Galleries Magazine (February-March 1989).
Johnson, Ken. “Carroll Dunham.” Art in America 77, no. 6  (June 1989): 167-68.
Kaplan, Steven. “New York Scene.” ETC (Montreal), no. 8 (1989): 60-63.Levin, Kim. “Carroll Dunham-Review.” Village Voice, February 28, 1989.
Mahoney, Robert. “Review.” Arts Magazine (1989): 107.
Perl, Jed. “Getting into Shape: Lightweights and Heavyweights.” Art & Antique (May 1989): 37.
Reindl, Uta M. “Horn of Plenty. "Sechzehn Künstler aus New York". Stedelijk Museum,” Kunstforum International, p. 408.
Rubenstein, M. Raphael. “Review: Carroll Dunham at Sonnabend Gallery.” FlashArt (April-May 1989): 112-113.
Smith, Roberta. “Abstraction That Opens a Window on the Psyche.” New York Times, February 17, 1989.
Van Nieuwenhuyzen, Martijn. “Spotlight: Horn of Plenty.” FlashArt (March-April 1989): 102.

Perl, Jed. “Getting Into Shape: Lightweights & Heavyweights.” Art & Antiques (May 1988): 37.
Saltz, Jerry. “Carroll Dunham’s Untitled (1987).” Arts (January 1988): 58-59.

“Paris Review.” Reproduction, March 1987.
Schwabsky, Barry. “Carroll Dunham.” Flash Art (International), no. 131 (December-January 1987): 90.

Boodro, Michael. “The Price of Smart Art.” On the Avenue, November 1986.
Collins, Tricia. Milazzo, Richard. “Tropical Codes (Pt. 2),” Kunstforum International, no. 84: 306.
“Carroll Dunham, Accelerator.” Print Collector’s Newsletter, January- February, 1986.
Lovelace, Carey. “Carroll Dunham.” Art News 85,no. 8 (October 1986).
Mahoney, Robert. “John Newman/Carroll Dunham.” Arts Magazine 60, no. 10 (June 1986).
Perl, Jed: “Retro madness.” New Criterion (October 1986): 67-70.
“Phoenix Museum Goes Back to the Drawing Board.” Section Two, September 18, 1986.
Raynor, Vivien. “Art: Brooklyn Show, Monumental Drawing.” New York Times, October 3, 1986.
“Recent Acquisitions: A New-Looking Artwork. Brooklyn Museum Newsletter, (October 1986).

Bos, Michiel. “New Currents at the ICA.” Tech 105, no. 37, September 27, 1985.
Brenson, Michael. “Art: The Unexpected from Jennifer Bartlett.” New York Times, April 12, 1985.
Brenson, Michael. “The Whitney Biennial-Arts Cutting Edge?” New York Times, March 17, 1985.
Guest, Barbara. “Curatorial Eccentricity.” East Hampton Star, August 1985.
Hagen, Charles. “At the Whitney Biennial, Almost Home.” Artforum 23, no.10 (June 1985): 56-61.
Kohn, Michael. “Whitney Biennial Review.” Flash Art, no.123 (Summer 1985): 54.
Liebman, Lisa. “At the Whitney Biennial, Almost Home.” Artforum 23, no.10 (June 1985): 57-61.
Muchnic, Suzanne. “La Cienega Area.” Los Angeles Times, January 25, 1985.
Plagens, Peter. “Nine Biennial Notes.” Art in America 73, no. 3 (July 1985): 115-118.
Relyea, Lane. “Pick of the Week.” LA Weekly, February 14, 1985.

Cameron, Dan. “Neo-Surrealism: Having It Both Ways.” Arts Magazine 59, no. 3, (November
1984): 69-72.
Howe, Katherine. “Surrealism Returns.” Images & Issues 4, no. 5 (March-April 1984): 18-19.
O’Brien, Glenn. “Psychedelic Art: Flashing Back.” Artforum 22, no. 7 (March 1984): 79.

Kertess, Klaus. “Carroll Dunham: Painting against the Grain–Painting with the Grain. Artforum 21, no. 10 (June 1983): 53-54.

Larson, Kay. “Review.” New York Magazine, April 25, 1981, 98-99.
Smith, Roberta. “Watercolors.” Afterwork 1, Winter-Spring 1983.
Sundell, Nina. “New Talent, New York.” Dialogue: The Ohio Arts Journal (January-February 1981): 32. 

Publications by the Artist

Dunham, Carroll. “The Marshall Plan: Carroll Dunham on Kerry James Marshall’s Mastry.” Artforum 55, no. 5 (January 2017): 182-189.

Dunham, Carroll. “Carroll Dunham on Chris Ofilil.” Artforum 53, no. 6 (February 2015): 224-225. 

Dunham, Carroll. “Laurie Simmons.” Journal, no. 32 (2012): 46-55.

Dunham, Carroll. Mark Grotjahn: Nine Faces. New York: Anton Kern Gallery, 2011.
Dunham, Carroll. “One-Eyed Jack: Carroll Dunham on William Baziotes’s Dwarf, 1947.” Artforum 49, no. 10 (Summer 2011): 327.

Dunham, Carroll. “Late Renoir: Philadelphia Museum of Art.” Artforum 49, no. 2 (October 2010): 270–71.
Dunham, Carroll. "James Ensor." Artforum (September 2010): 182.          
Dunham, Carroll. “Otto Dix: Neue Galerie, New York.” Artforum 48, no. 10 (Summer 2010): 340–41.

Dunham, Carroll. “Pablo Picasso: Gagosian Gallery, New York.” Artforum 48, no. 1 (September 2009): 284–85.

Dunham, Carroll. “Jasper Johns: Gray.” Artforum 46, no. 7 (February 2008): 283-85.

Dunham, Carroll. “Film Noir: The Films of Kara Walker.” Artforum 45, no. 8 (April 2007): 238-42.

Bois, Yve-Alain and Carroll Dunham. “Robert Rauschenberg’s Combines: Two Views.” Artforum 44, no. 7 (March 2006): 244-51.

Dunham, Carroll. “Black Whole: The Art of Barry Le Va.” Artforum 43, no. 7 (March 2005): 206-11.
Dunham, Carroll. “Max Ernst.” Artforum 44, no.1 (September 2005): 297.
Dunham, Carroll. “Shapes of Things to Come.” Artforum 44, no. 3 (November 2005): 208-13.

Dunham, Carroll. “Carroll Dunham on Scott Grodesky.” Artforum 42, no. 5 (January 2004): 137.
Dunham, Carroll. “Joe Zucker’s Fiber Optics.” Artforum 42, no. 8 (April 2004): 117.
Dunham, Carroll. “Mel Kendrick.” Bomb, no. 89 (Fall 2004).

Dunham, Carroll. Jim Nutt: Drawings and Paintings. New York: Nolan/Eckman Gallery, 2003.

Dunham, Carroll. Peter Cain: More Courage, Less Oil. New York: Matthew Marks Gallery, 2002.
Dunham, Carroll. “Artists Curate: Road Food.” Artforum 41, no. 2 (October 2002): 132-137.

Dunham, Carroll. James Nares. New York: Paul Kasmin Gallery, 2001.

Dunham, Carroll. “Alan Turner.” BOMB, no. 73 (Fall 2000): 50-54.
Dunham, Carroll. Peter Saul: Heads 1986-2000. New York: Nolan/Eckman Gallery, 2000.
Dunham, Carroll. “Suit.” Harper’s Magazine, March 2000: 27.

Dunham, Carroll “Erwin Phrang.” BOMB, no. 69 (Fall 1999): 94-97.
De Assis, Machado. The Alienist. San Francisco: Arion Press, 1999. Illustrations by Carroll Dunham.

Dunham, Carroll. “Passages: Carroll Dunham on Peter Cain: Head over Wheels.” Artforum 35, no. 8 (April 1997): 19-20.

Dunham, Carroll. "The Appeal of the Head Onion Peel.” Artforum 32, no. 5 (January 1994): 8.

Dunham, Carroll. Bochner, Le Va, Rockburne, Tuttle. Cincinnati: Contemporary Arts Center, 1975.


Skowhegan Medal for Distinction in Painting

Museums and Public Collections

Albertina Museum, Vienna, Austria
Art Institute of Chicago, Chicago, IL
Astrup Fearnley Museet, Oslo, Norway
Brooklyn Museum of Art, New York
Cleveland Center for Contemporary Art, Cleveland, OH
Drammens Museum, Drammen, Norway
Ellipse Foundation, Cascais, Portugal
Fort Wayne Art Museum, Fort Wayne, IN
Hudson Valley Center for Contemporary Art, Peekskill, NY
Instituto Inhotim, Brumadinho, Brazil
The Judith Rothschild Foundation, New York, NY
Mead Art Museum at Amherst College, Amherst, MA
Modern Art Museum of Fort Worth, Fort Worth, TX
Museum Ludwig, Cologne, Germany
Museum of Modern Art, New York, NY
Museum of Contemporary Art, Chicago, IL
Museum of Contemporary Art, Los Angeles, CA
Nelson-Atkins Museum, Kansas City, MO
Nerman Museum of Contemporary Art, Overland Park, KA
Olbricht Collection, Essen, Germany
Philadelphia Museum of Art, Philadelphia, PA
Sammlung Olbricht, Essen, Germany
St. Louis Museum of Art, St. Louis, MO
Tate Gallery, London, UK
Walker Art Center, Minneapolis, MI
Whitney Museum of American Art, New York, NY

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