Artist's Page


Born in Liverpool, UK, 1954

Lives and works in Heysham, UK

One-Person Exhibitions

Hayward Gallery, London, UK (forthcoming)

The Groom, Andréhn-Schiptjenko, Paris, France

Sex-Pol, Blum & Poe, Los Angeles, CA
A Dream Between Sleeping and Waking, Charleston, Firle, UK

Someone Like You, Andréhn-Schiptjenko, Stockholm, Sweden

Linderism, curated by Amy Tobin, Kettle’s Yard, University of Cambridge, Cambridge, UK; traveling to Hatton Gallery, Newcastle University, UK

Ever Standing Apart From Everything, Stuart Shave/Modern Art, London, UK

Her Grace Land, Chatsworth House, Derbyshire, UK 
The House of Fame, Nottingham Contemporary, Nottingham, UK 
Bower of Bliss, Glasgow Women's Library, Glasgow, Scotland
The Bower of Bliss, Art on the Underground, Southwark Station, London, UK

Andréhn-Schiptjenko, Stockholm, Sweden

An Absence, A Presence, A Mood, A Mantle, Dependance, Brussels, Belgium

Blum & Poe, Los Angeles, CA
Linder: femme/objet, Musée d'Art Moderne de la Ville de Paris, Paris, France; traveled to Kestnergesellschaft, Hannover, Germany
Hepworth Wakefield, Wakefield, UK
Tate St. Ives, St. Ives, Cornwall, UK

Goss Michael Foundation, Dallas, TX

Stuart Shave/Modern Art, London, UK
Dependance, Brussels, Belgium

King’s Ransom (Hybrid Tea), Sorcha Dallas, Glasgow, Scotland
The Darktown Cakewalk, Celebrated House of Fame, The Arches, Glasgow, Scotland; traveled to Chisenhale Gallery, London, UK

Linn Luhn, Cologne, Germany

Pretty Girl. No.1, Baltic Centre for Contemporary Art, Gateshead, UK
MoMA PS1, New York, NY
Stuart Shave/Modern Art, London, UK

We Who Are Her Hero, Galerie LH, Paris, France
Let Me Go Where My Pictures Go, Dependence, Brussels, Belgium

The Lives of Women Dreaming, Futura Gallery, British Council, Prague, Czech Republic

The Return of Linderland, Cornerhouse, Manchester, UK

What Did You Do in the Punk War, Mummy?, Cleveland Gallery, London, UK
England is Mine, Windows Gallery, British Council, Prague, Czech Republic

Group Exhibitions

Modern Art, London, UK

WOMEN IN REVOLT! Art and Activisim in the UK 1970-1990, Tate, London, UK
Room by Room: Concepts, Themes, and Artists in The Rachofsky Collection, The Warehouse, Dallas, TX
Lost Girls, presented by War Child, Flowers Gallery, London, UK
LINDER | HANNAH WILKE, Alison Jacques, London, UK

Sensitive Content, Unit London, London, UK
Punk is Coming, MoCA, Westport, CT

Crocodile Cradle, PEER, London, UK
The Stomach and the Port, Liverpool Biennial, Liverpool, UK

Heaven and Hell, curated by Seth Bogart and Jess Scott, The TOM House, Tom of Finland Foundation, Los Angeles, CA

The Lie of the Land, MK Gallery, Milton Keynes, UK
Too Fast to Live, Too Young to Die: Punk Graphics, 1976-1986, Museum of Arts and Design,
New York
A Flower in My Mouth, Salzburger Kunstverein, Salzburg, Austria
Cut and Paste |  400 Years of Collage, Scottish National Gallery of Modern Art, Edinburgh, Scotland
The Aerodrome, Ikon Gallery, Birmingham, UK
Art & Porn, ARoS Aarhus Kunstmuseum, Aarhus, Denmark; traveling to Kunsthal Charlottenborg, Copenhagen, Denmark

Home Futures, Design Museum, London, UK
Exploding Collage, Hatton Gallery at Newcastle University, Newcastle upon Tyne, UK
Virginia Woolf: An Exhibition Inspired by Her Writings, Tate St Ives, Cornwall, UK; traveled to Pallant house Gallery, Chichester, UK; and Fitzwilliam Museum, Cambridge, UK
Vêtements Illicites, Freedman Fitzpatrick, Paris, France

Dreamers Awake, curated by Susanna Greeves, White Cube Bermondsey, London, UK
The Ends of Collage: New York, Luxembourg & Dayan, New York, NY
The Ends of Collage: London, Luxembourg & Dayan, London, UK
La Movida, HOME, Manchester, UK
As Above, So Below: Portals, Vision, Spirits & Mystics, Irish Museum of Modern Art, Dublin,
Coming Out: Sexuality, Gender and Identity, Walker Art Gallery, Liverpool, UK 
Daughters of Penelope, Dovecot Studios, Edinburgh, Scotland
Queer Art(ists) Now, Archive Gallery, London, UK
Surreal House, The Pill, Istanbul, Turkey
Nude: Art from the Tate Collection, SOMA Museum of Art, Seoul, South Korea
The Critic as Artist, curated by Michael Bracewell and Andrew Hunt, Reading Museum, Reading, UK

Not For Sale, Lovaas Projects, Munich, Germany
Performing for the Camera, Tate Modern, London, UK Pure Romance, The Redfern Gallery, London, UK
Theories of Modern Art, Stuart Shave/Modern Art, London, UK
Of Other Spaces: Where Does Gesture Become an Event?, Cooper Gallery, Dundee, UK
Le retour des ténèbres’ /Return of Darkness, Musée Rath in Geneva, Switzerland Artistic Differences, Institute of Contemporary Arts, London, UK Nude: Art from the Tate collection, The Art Gallery of New South Wales, Sydney, Australia British Art Show 8, Scottish National Gallery of Modern Art, Edinburgh, Scotland 

British Art Show 8, Leeds Art Gallery, Leeds, UK
LINO|CUT, Paul Stolper, London
Soft Core, Invisible Exports, New York, NY

Primal Architecture, Irish Museum of Modern Art, Dublin, Ireland
Post Pop: East Meets West, Saatchi Gallery, London, UK
Play What’s Not There, Raven Row, London, UK
The Hawker, Gallery Carlos Ishikawa, London, UK

Designing Modern Women, 1890s-1990s, Museum of Modern Art, New York, NY
Europunk: une révolution artistique, Musée de la musique, Paris, France
Flowers&Mushrooms, Museum der Moderne Mönchsberg, Salzburg, Germany
The System of Objects, Deste Foundation, Athens, Greece
Tom Burr & Linder, Stuart Shave/Modern Art, London, UK
Coconut Water, White Flag Projects, Saint Louis, MO
The Age of Collage, Gestalten Space, Berlin, Germany
In The Cut, Australian Centre for Contemporary Art, Southbank, Victoria, Australia

Transmitter/Receiver, Aberystwyth Arts Centre, Aberystwyth, UK
Only Parts of Us Will Ever Touch Parts of Others, Galerie Thaddaeus Ropac, Paris, France
Mash-up: Collage from the 1930’s to the present, L&M Arts, Los Angeles, CA

Transmitter/Receiver: The Persistence of Collage from the Arts Council Collection, MIMA, Middlesbrough, UK
LIVE! Art & Rock that Changed the History, Centro Per L'arte Contemporanea Luigi Pecci, Prato, Italy
The Paris Sont Ouverts, Freud Museum, London, UK
Madame Realism, Marres Centre for Contemporary Culture, Maastricht, Netherlands

Art For Whom?, Tate Britain, London, UK Another Music, Kunsthall Oslo, Norway
Room Divider, Wilkinson Gallery, London, UK
Rencontres d'Arles Photographie, Arles, France
The Dark Monarch, Towner Contemporary Art Museum, Eastbourne, UK
Mixtapes: Popular Music in Contemporary Art, Lewis Glucksman Gallery, Cork, Ireland
Linder Sterling and Jon Savage: The Secret Public / Punk Montages, Photography and Collages 1976 – 1981, Boo–Hooray, New York, NY
Misty Boundaries Fades and Dissolves, FormContent, London, UK
Supernature: an Exercise in Loads, AMP, Athens, Greece

The Dark Monarch, Tate St. Ives, St. Ives, UK After
, Kölnischer Kunstverein, Cologne, Germany

Crossroads: DA2, Salamanca Institute of Culture, Salamanca, Spain
Cohabitation, Galleria Francesca Kaufmann, Milan, Italy
Punk. No One Is Innocent, Kunsthalle Vienna, Austria doArt, Beijing, China

Re-Make/Re-Model, Sorcha Dallas, Glasgow, Scotland Isabella Bortolozzi, Berlin, Germany Love Me Tender: Works from the Tate Collection, Tate Britain, London, UK Linn Luhn, Cologne, Germany
Harry Smith Anthology Remixed, Alt.Gallery, Newcastle, UK
Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art Chicago, IL
What We Do Is Secret, Blancpain Art Contemporain, Geneva, Switzerland
Panic Attack! Art in the Punk Years, Barbican, London; traveled to the Maison des Arts, Créteil, France

Deconstruction, Barbara Gladstone, New York, NY
Audio, Cabinet des Estampes, Geneva, Switzerland
Le Sphere Punk, Le Magasin, Grenoble, France
The Secret Public: The Last Days of the British Underground 1978-1988, Kunstverein Munich, Germany; traveled to ICA, London, UK

Collage, Bloomberg Space, London, UK

Glamour, Windows Gallery, British Council, Prague, Czech Republic
Plunder, Dundee Contemporary Arts, Dundee, UK

DEAD, The Roundhouse, London, UK

Destroy: Punk Graphic Design in Britain, Royal Festival Hall, London, UK


Another Music in a Different Arcadia, Design Museum, London, UK

The Bower of Bliss, Art on the Underground, London, UK

Children of the Mantic Stain, Southbank Center, London, UK

Children of the Mantic Stain, Leeds Art Gallery, Leeds, UK

The Ultimate Form, The Hepworth Wakefield, Wakefield, UK

Le Magasin, Grenoble, France

The Working Class Goes To Paradise, Tate Triennial, Tate Britain, London, UK

Meltdown, Royal Festival Hall, London, UK

The Working Class Goes To Paradise, Manchester, UK

Awards, Grants, and Residencies

Residency at Chatsworth House, Derbyshire, UK

Residency at The Work Room, Tramway, Glasgow, Scotland



Winer, Leslie. Pretty Broad Tastes. London: Rough Trade Books, 2024.

Ades, Dawn. Photomontage (World of Art). London: Thames & Hudson, 2021.

Linderism. Texts by James Boaden, Alyce Mahon, Amy Tobin, and Sarah Victoria Turner. Cologne, Germany: Walther König, 2020. 

Linder: The House of Fame. Nottingham, UK: Nottingham Contemporary, 2018.

Linder. London: Ridinghouse, 2015.

Banash, David. Collage Culture: Readymades, Meaning, and the Age of Consumption. Amsterdam: Rodopi, 2013.
Battista, Kathy. Renegotiating the Body: Feminist Art in 1970s London. London: I.B. Tauris, 2013.
Linder: Object/Woman. Cologne: Walther König, 2013.

Matt, Gerald. Interviews 2. Vienna: Kunsthalle Wien; Cologne: Walther König, 2008.
What Linder Saw. Cologne: Walther König, 2008.

Linder: Works 1976-2006. Texts by Phillip Hoare, Morrissey, Jon Savage, Andrew Renton, and Lynne Tillman. Zurich: JRP|Ringier, 2006.

Bracewell, Michael and Linder. I Know Where I'm Going: A Guide to Morecambe & Heysham. London: Book Works, 2003.

Sterling, Linder. Morrissey Shot. London: Secker & Warburg, 1992.

Articles and Reviews

Lloyd-Smith, Harriet. “Duncan Grant’s Very Private Erotic Drawings Are Now Very Public, and Reinterpreted by Contemporary Artists.”, February 6, 2023.
Steer, Emily. “Inside Linder and Hannah Wilke’s Exhibition of Provocative Women’s Art.”, February 2, 2023.
Lee, Sophie. “This Week In Culture: January 30–February 5, 2023.”, January 30, 2023.
Saxena, Aarushi. “The Ultimate Recycler of Pornographic Imagery Can Date Magazines Across the Twentieth Century by Smell.” Lampoon, Fall–Winter 2022/2023.

Rivera, Nina. “Exhibition Review: Linder | Sex-Pol.”, December 13, 2022.
Saxena, Aarushi. “Linder: The Ultimate Recycler of Pornographic Imagery Can Date 20th Century Magazines by Smell.”, November 12, 2022.
Laster, Paul. “8 Must-See Gallery Shows Around the Country This November.”, November 1, 2022.

Lloyd-Smith, Harriet. “Sexual Taboos, Myth and Montage: Linder’s Provocative Collages.”, April 25, 2021.
Somerville, Kristine. “Clash: Punk's Influence on Contemporary Art.” The Missouri Review 44 (Spring 2021): 133-149.
Rea, Naomi. “With Indoor Gatherings Still Restricted in England, the Liverpool Biennial Has Opened Its Outdoor-Only Program First.” Artnet News, March 19, 2021.
Barry, Robert. “Postcards from the Edge: Crocodile Cradle at Peer, Hoxton.”, February 28, 2021.
“Liverpool Biennial 2021 Announce Outdoor and Digital Commissions.”, February 26, 2021.

Ashby, Chloë. "A Cut Above – Linder Takes Over Kettle’s Yard.", February 18, 2020.
Cowan, Katy. “From Buzzcocks to Feminist Photomontage Works, a New Exhibition Will Celebrate Five Decades of Linder Sterling.”, January 9, 2020.
Cowan, Katy. “Linder Sterling and Peter Saville among the Artists and Designers to Create Bespoke Stickers to Support the NHS”, May 6, 2020.
Klingelfuss, Jessica. "Linder Invokes the Spirit of Helen Ede in Multi-Sensory Takeover of Kettle's Yard.", February 27, 2020. 
Roux, Caroline. “The Full Montage.” Observer Magazine (Winter 2020): 106-11.
Sooke, Alastair. “Linder Interview: ‘Pornography Used to Be Beautiful. Now It’s like Spotify or McDonald’s’.”, February 8, 2020.
“Wear the Art—Charity T-Shirt Pieces by Wolfgang Tillmans, Linder and Sunil Gupta Go on Sale for £30.”, October 30, 2020.

Buck, Louisa. “Linder’s Lascivious Photomontages Conjure up an Analogue Era at Stuart Shave.” Art Newspaper, February 5, 2019.
Buck, Louisa. “Linder Goes ‘Au Naturel’ for Erotic Tuscan Exhibition.” Art Newspaper, June 4, 2019.
Hutton, Belle. “Lucy Dyson’s Surrealism-Inspired Collages Are on Show Now in Berlin.”, January 30, 2019.
Klingelfuss, Jessica. “Under the Tuscan Sun, Linder Conjures an Erotic Eden.”, July 1, 2019.
"Linder Sterling in Conversation with Shiv Lyons." The September Issues no. 3 (Revisionism): 36-47.
Schaar, Elisa. “Linder at Modern Art, London.” Artforum vol. 57, no. 9 (May 2019): 291.
Spence, Rachel. “The Second Coming of Linder – the Punk Artist on Her Erotic Feminist Fantasy.”, January 25, 2019.
Westall, Mark. “Linder.”, January 11, 2019.
White, Ryan. “Linder Sterling: ‘Revolt and Rebellion Has to Happen Some Part in Secret. Today There’s This Collective Urge to Share Everything.”, January 31, 2019.

Blackledge, Richard. "Star Interview: Home Is Where the Art Is for Pioneer Linder Sterling at Chatsworth.", February 13, 2018. 
Brennan, Ailis. “Art on the Underground: Linder Sterling Brings ‘Female Pleasure’ Billboard to Southwark Station.”, November 8, 2018.
Brennan, Ailis and Kate Moore. “Linder Sterling on her Art on the Underground Installation: ‘Bliss is a Feminist Issue.’”, November 2, 2018. 
Gavin, Francesca. "Punk Artist Linder Sterling's Erotic Masterpieces." Another Man 27 (Autumn/Winter 2018): 148-157.
Hedges, Frances. "Underground Scene." Harper's Bazaar Art / Women in Art (November 2018): 28-31
Higgins, Charlotte. "'Do You Have Any Ectoplasm? Is it Vaginal?' The Return of Punk Artist Linder.", March 22, 2018. 
Hyde, Sarah. "Ex-Punk Linder Sterling is at Home with Opulence." Garage Magazine, February 5, 2018.
Jewell, Bella. “Linder: Radical Feminist, Punk Rocker, Anti-Establishment Artist.”, November 8, 2018.
Jones, Jonathan. "From Picasso at His Mightiest to Gods of American Cool: the Hottest Art Shows of 2018.", January 1, 2018. 
Jones, Jonathan. "Linder: The House of Fame Review - Too Punk for a Turner.", March 26, 2018. 
"Linder Sterling: 7 Things You Need to Know." (blog), August 10, 2018.
"Linder Sterling Explores the Voices from Chatsworth’s History.” (blog), August 17, 2018.
Linder. "Underground Scene." Harper's Bazaar Art / Women in Art (November 2018): Cover. 
Tindle, Hannah. "Inside the Mind of Linder, an Icon of Contemporary Collage." AnOther Magazine, March 26, 2018. 
Waterson, April. “Linder Sterling Takes Alternative View of Sculpture at Chatsworth.”, July 29, 2018.
Westall, Mark. “Linder.”, January 11, 2019.
Whitehouse, Matthew. "Everything You Need to Watch, See and Do This Week.", March 19, 2018. 

Bugbee, Stella. "The Cut Has a New Design.", August 20, 2017.
Burgum, Becky. "Lose Yourself Amongst Linder Sterling's Seminal Work." Dazed Digital, March 16, 2017.  Foster, Richard. "A Cut Above: Linder Sterling on Art & Ludus." The Quietus, January
17, 2017.
Herbert, Martin. "Art Previewed: Linder at Andréhn-Schiptjenko, Stockholm." ArtReview 69 no. 3 (April 2017): 39.
Sterling, Linder. Artwork in Teen Vogue, vol. IV (2017): 78.

Searle, Adrian. "Art Night Review - London Finally Catches the 'Nuit Blanche' Bug." Guardian [UK], July 4, 2016.

Compton, Nick. “Generous Gestures: Linder’s Dovecot Collaboration, at British Art Show 8.” Wallpaper, October 13, 2015.
Ellis-Petersen, Hannah. “I Have a Library of Every Perversion on the Planet.” Guardian, October 7, 2015.
Keh, Pei-Ru. "Linder's: She Who Possesses 100 Husbands." Wallpaper, no. 190 (January 2015): 186.
"Linder Sterling." Vision Magazine, no. 151 (June 2015): 148-155.
Morrissey, Linder, and Michael Bracewell. "Vegas, Sunday." Arena Homme+, no. 42 (Winter-Spring 2015): 248-56.

“Apologetic Climaxes.” Apology, no. 3 (Winter 2014): 191-221.
Bennett, Alissa. “Mixed Media: Artist Sterling LInder Explores the Harmony Between Past and Present in Archi Dior, the New Collection from Dior Fine Jewelry, Designed by Victoire de Castellane.” Document, No. 5 (Fall 2014): 214-21.
Herrero, Floriane. Art et Musique. Paris: Palette, 2014.
Mitsios, Apostolos. "Linder Sterling's Artistic Take on 'Archi Dior' Jewelry Collection." HG Issue, November 27, 2014. O'Hagan, Dean. "Linder Sterling: 'Lady Gaga Didn't Acknowledge I Wore a Meat Dress First." Observer, January 11, 2014. "Punk Artist LInder Joins Pilot Programme at Tate St. Ives." Plymouth Herald, January 26, 2014.
Shaw, Anny. "Can We All Be Queer Now?" Art Newspaper (Frieze Art Fair ed.), October 15, 2014.
Trewhela, Lee. "Linder Explores the 'Ultimate Form' in St. Ives." This Is Cornwall, January 23, 2014.

Banash, David. "In the Cut: The Art of Linder Sterling.", October 19, 2013.
Basciano, Oliver. “Putting Fiction into Practice.” Spike, no. 36 (Summer 2013): 108-112. Berry, Robert. “Linder.” Frieze, no. 156 (June-August 2013): 214.
Emmenegger, Nicole. “Linder.” Girls Like Us, no. 4 (Spring-Summer 2013): 18-29.
L’Ecotais. Emmanuelle de. Linder: femme/objet. Paris: Paris-Musées, Les musées de la Ville de Paris, 2013.
Linder. "Top Ten." Artforum 52, no. 3 (November 2013): 167-68.
Linder and Paolo Roversi. “The White Queen.” Wallpaper, no. 174 (September 2013) 180-193.
Lipschutz, Yael. “Linder.” Flash Art 46, no. 293 (November-December 2013): 97.
Neil, Jonathan T.D. "Skin Deep." ArtReview Newsletter, no. 31, 2013.
Nelson, Steffie. "Something in the Air.", December 9, 2013.
Rafter, Alice. "Spring Exhibitions: Alice Channer, Jessica Jackson Hutchins, Linder Sterling." Leeds Student, March 4, 2013. Sherwin, Skye. "Paper Tiger." W 42, no. 5 (May 2013): 78. Smith, Laura, ed. Summer 2013. St. Ives, Cornwall: Tate, 2013.
Taleb, Léa. "Linder Sterling." i-D, March 5, 2013. Verner, Amy. "'Linder: Femme/Objet' Exhibition at Musée d'Art Moderne, Paris.", February 11, 2013. "Vie en France: Rétrospective Linder." France-Amérique 6, no. 2 (February 2013): 4.

Huston, Carol. "In Rehearsal: A Sneak Peek at Linder Sterling's New Ballet." Frieze (blog), December 18, 2012. Linder. "The Artists' Artists." Artforum 51, no. 4 (December 2012): 115.
Linder. “Elle fréquentait la rue Pigalle.” Annual Magazine, no. 5 (2012): 41-42. 2011
“Act 4: by Linder Sterling.” Pop Magazine (spring/summer 2011).
Culture Club.” New York Times, March 23, 2011.
“Designer Richard Nicoll on Linder Sterling.” Elle Magazine (October 2011): 238-39.
Smith, Sarah-Neel. “Untitled (12th Istanbul Biennial).” Frieze 143 (November-December 2011):
Tumlir, Jan. “Loud Flash: British Punk on Paper at Honor Fraser.” Artforum vol. 50, no. 3 (November 2011): 279-80

Alaska, Danai. “Linder Sterling: Punk’s Red Lips.” Ozon International (Summer): 20-21.
Basciano, Oliver,, April 27, 2010.
Bollen, Christopher. “Rated Art: The Agitated State of Sex in Today’s Post-Shock Art World.”
Interview Magazine (December 2010): 145-55.
Bonacina, Andrew. “Mistry Boundaries.” Frieze 131 (May 2010): 142.
Clarke, Indigo. “Five Minutes with Linder Sterling and Richard Nicoll.”, December 20, 2010. “Collage Daze.” Scotland on Sunday, April 18, 2010.
Cooper, Neil. “Identity Parade.” The List, April 15, 2010.
Cotton, Michelle. “The Dark Monarch.” Frieze 136 (January-February): 122.
Eaton, Andrew. “Are you sitting comfortably? Well don’t.” Scotsman, April 22, 2010, 37.
Fakray, Sarah. “Linder Sterling.” Dazed & Confused (April 2010): 76-78.
Linder. “A Northern Soul: the evolution of an artist and musician.” Frieze (November-December
2010): 90-96.
Linder, Interview, March, p. 176-181
“Linder Sterling & Morrissey: Glückliche Diebe.” Rolling Stone (German) 189 (July 2010): 66-69.
McKnight-Abrams, Amah-Rose. “Linder Sterling.” Dazed Digital, June 13, 2010.
McCracken, Edd. “I am the Michelangelo of time.” Sunday Herald Scotland, April 11, 2010, 4-5.
McMillan, Joyce. “Evolutionary approach challenges conventions.” Scotsman, April 27, 2010.
Moira Jeffrey, Collage daze, Scotland on Sunday, 18th April 2010
Neil Cooper, The Darktown Cakewalk: Celebrated form the House of Fame, The List, 29th April
Phil Miller, Edinburgh’s Traverse leads theatre awards field with 10 nods, The Herald, 14th May
Russeth, Andrew, Modern Painters, April
Walker, Tim. “So dreamy! It’s just like a picture.” Vogue Italia (March 2010): 439-46.

Alexander, Hilary. “London Fashion Week: Richard Nicoll.”, February 22, 2009.
“Commerical Collaborations: When Artists Meet Designers.” Financial Times, September 26-27, 2009, 9.
Exit Magazine 35 (August/September/October 2009): cover, 68-73.
“Fashion Notes.” Elle Magazine (May 2009): 92.
“Going Underground.” Evening Standard (London), September 8, 2009, 25.
Jones, Dolly. “Show Report.”, February 22, 2009.
Linder. “Future Perfect.” Art Review (December 2009): 104.
Schackleton, Holly. “R is For – Richard.” I-D Magazine 303 (Fall 2009): 170-79.
Yakir, Nedira. “The Dark Monarch.” Proof vol. 3, no 3.

Basciano, Oliver. “Cut Out & Keep.” Wonderland Magazine (February-March): 196-201.
Cooper, Neil. “Linder.” MAP Magazine 12 (Winter 2007-2008): 61.
Duguid, Hannah. “Rage Against the Sexist Machine.” The Independent, November 13, 2008, 21.
Harris, Jocelyn. “Linder Sterling at Modern Art.” Artrocker (February 2008): 76-77.
“Linder Sterling.” Tank Magazine (November 2009): 48.
Manchester, Elizabeth. “She/She.” Tate Collection, September 2008.
Michot, Agnes. “Fleurs du Mal.” La Vie en Rose 3 (June-July 2008): 104-111.
Mottram, Jack. “Performance is Anything but Pants.” The Herald, January 11, 2008.
Saville, Peter. “Deep Cuts (And Pastes).” Tokion vol. 2, no. 5: 120-21.

Allsop, Laura. “Post-Punk: The Secret Public.” ArtReview (March 2007): 12.
Bentley, Kyle. “Linder Sterling.” Artforum vol. 45, no. 9 (March 2007): 151.
Bonham-Carter, Charlotte. “Rebels Without Applause.” Tank Magazine 8: 94-97.
Brown, Neal. “Classic Cut-Ups.”, November 19, 2007.
Corrigan, Susan. “Linder Sterling.” i-D Magazine (December 2007-January 2008): 136-47.
Duguid, Hannah. “Rage Against the Sexist Machine.” The Independent, November 13, 2007, 21.
Evans, Thomas. “Linder: Radical Anatomy.” P.S.1 Newspaper (Venice Biennale Issue): 2. 
“Forgotten Punk: The Best Single Sleeve of All Time?” The Guardian, July 20, 2007.
Le Feuvre, Lisa. “Linder at PS1.” Art Monthly (July-August 2007): 34-35.
Muller, Dominikus. “True Lies.”, December 20, 2007.
O’Hagan, Sean. “Art Anarchy in the UK.” The Observer, June 3, 2007, 12-13.
Schwendner, Martha. “Embracing Many Mediums to Focus on the Message.” New York Times,
June 21, 2007.
Sherwin, Skye. “Post-Punk: The Secret Public.” Art Review, March, p. 12
Sumpter, Helen. “Linder Surprise.” Time Out London, November 28-December 4, 2007, 45.
V Magazine 9 (Fall/Winter 2007).
Wood, Catherine. “The Working Class Goes to Paradise.” Untitled Magazine 40 (Spring 2007):
Woodcock, Victoria. Flux Magazine (February-March 2007): 62-65.
Wilson, Sue. “Re-Make/Re-Model.” The Metro, December 19, 2007.

Battista, Kathy. “Review: Linder Works 1976 – 2006.” Frieze 102 (October 2006): 47.
Cooper, Neil. “Linder Sterling: The Working Class Goes to Paradise 2000-6.” Map Magazine
(Summer 2006): 59.
Gray, Louise. “Linder: Works 1976-2006.” Wire Magazine (September 2006): 76.
King, Emily. “Fuck Morrisey, Here’s Linder.” 032c Magazine (Summer 2006): 156-61.
Kugelberg, Johan. “Upsetter.” AnOther Magazine (Autumn-Winter 2006): 72.
Lafuente, Pablo. “Review: Linder.” Wire Magazine (June 2006).
“Linder: The Working Class Goes to Paradise.” Wire Magazine (June 2006): 76.
“Linder Sterling.” Abstract Magazine (Summer 2006): 39-40.
“Monograph Preview: Linder Sterling.” Abstract Magazine (Summer 2006): 39-40.
Tepel, Oliver. “Linder Sterling/Ludus: Flesh for Fantasy.” Spex (January 2006): 62-63.

Bougatsos, Lizzi, “Top Ten.” Artforum vol. 43, no. 5 (January 2005).

Moore, Marianne. “Go Ahead, Punk, Make My Day!” The Independent, June 6, 2004, 64.

Jeffrey, Moira. “The Art That’s a Real Steal.” The Herald, November 7, 2003. 

Goddard, Simon. “Kudos for Ludus.” Record Collector Magazine (July 2002): 79-81.
Jones, Peter. “Anxious Images, Women: A Cultural Review.” vol 13, no. 2, 161-178.

Linder. “Chapter one ‘My Name Is…’” AOI Journal (April-May 2001): 20-21.
Gray, Louise. “Spaghetti Westerns Get a Mancunian Twist.” The Independent, April 2001.
Waters, Roger. Go to Work on a Menstrual Egg, Q Magazine

Hoare, Philip. “The Woman Who Didn’t Sell Her Work to Saatchi.” The Independent, May 2000.
O’Brien, Lucy. “The Girl, the Bad and the Ugly.” The Guardian, February 19, 2000.

Hoare, Philip. “Punk’s Iron Maiden.” The Guardian, June 24, 1997.

Boon, Richard. “Unsung, Undersung.” Wire Magazine, 62.
Carroll, Cath. “Girls Don’t Count.” Sublime (September 1992): 17-20.

Museum and Public Collections

Irish Museum of Modern Art, Dublin, Ireland
Musée d’Art Moderne de la Ville de Paris, France
Museum of Modern Art, New York, NY
Tate Britain, London, UK

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