With Franco-Algerian artist Mohamed Bourouissa, you immediately feel that a classic retrospective wouldn’t be quite the ticket. “I believe my works can always evolve, that they’re not necessarily finished,” he says, sidestepping the issue when asked about the prospect of a back-to-back pair of solo exhibitions at two major French art institutions. Instead, we find him dealing in metamorphoses or even metempsychoses as strategies to evade museums’ embalming tendencies.
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